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Here we hear Sutherland in all four female roles from Offenbach\u0026#039;s “Les Contes d\u0026#039;Hoffmann” (1971), which are among the most impressive opera recordings ever made. She can also be heard in a role she never sang on stage, which has become one of the most famous opera recordings in history: Turandot with Luciano Pavarotti and Montserrat Caballé, conducted by Zubin Mehta (1972). Verdi is represented with “Rigoletto”, “La traviata”, “Il Trovatore” (including the ballet music), “Ernani”, and “I masnadieri”, while Bellini is represented with “I puritani”, “La sonnambula”, and “Norma”. Cilea\u0026#039;s “Adriana Lecouvreur” (1988) concludes Joan Sutherland\u0026#039;s operatic legacy at Decca.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eCDs 1-2\u003cbr \/\u003eVERDI: Rigoletto\u003cbr \/\u003e \u003cbr \/\u003eCDs 3-4\u003cbr \/\u003eDONIZETTI: Lucia di Lammermoor\u003cbr \/\u003e \u003cbr \/\u003eCDs 5-6\u003cbr \/\u003eOFFENBACH: Les Contes d’Hoffmann\u003cbr \/\u003e \u003cbr \/\u003eCDs 7-8\u003cbr \/\u003ePUCCINI: Turandot\u003cbr \/\u003e \u003cbr \/\u003eCDs 9-11\u003cbr \/\u003eBELLINI: I puritani (1973-74 digital recording)\u003cbr \/\u003e \u003cbr \/\u003eCDs 12-13\u003cbr \/\u003eDONIZETTI: Maria Stuarda\u003cbr \/\u003e \u003cbr \/\u003eCDs 14-15\u003cbr \/\u003eMASSENET: Esclarmonde\u003cbr \/\u003e \u003cbr \/\u003eCD 16\u003cbr \/\u003eLEONI: L’Oracolo; The Prayer and the Sword\u003cbr \/\u003e \u003cbr \/\u003eCDs 17-18\u003cbr \/\u003eVERDI: Il trovatore\u003cbr \/\u003e \u003cbr \/\u003eCDs 19-20\u003cbr \/\u003eDonizetti: Lucrezia Borgia\u003cbr \/\u003e \u003cbr \/\u003eCD 21\u003cbr \/\u003eLEHÁR: The Merry Widow (highlights)\u003cbr \/\u003e \u003cbr \/\u003eCD 22\u003cbr \/\u003ePUCCINI: Suor Angelica; Vissi d’arte (Tosca)\u003cbr \/\u003e \u003cbr \/\u003eCDs 23-24\u003cbr \/\u003eMASSENET: Le Roi de Lahore\u003cbr \/\u003e \u003cbr \/\u003eCDs 25-26\u003cbr \/\u003eVERDI: La traviata\u003cbr \/\u003e \u003cbr \/\u003eCDs 27-28\u003cbr \/\u003eBELLINI: La sonnambula (1980 digital recording)\u003cbr \/\u003e \u003cbr \/\u003eCDs 29-30\u003cbr \/\u003eGAY: The Beggar’s Opera\u003cbr \/\u003e \u003cbr \/\u003eCDs 31-32\u003cbr \/\u003eVERDI: I masnadieri\u003cbr \/\u003e \u003cbr \/\u003eCDs 33-34\u003cbr \/\u003eTHOMAS: Hamlet\u003cbr \/\u003e \u003cbr \/\u003eCDs 35-37\u003cbr \/\u003eBELLINI: Norma (1984 digital recording)\u003cbr \/\u003e \u003cbr \/\u003eCDs 38-39\u003cbr \/\u003eHANDEL: Rodelinda\u003cbr \/\u003e \u003cbr \/\u003eCDs 40-42\u003cbr \/\u003eDONIZETTI: Anna Bolena\u003cbr \/\u003e \u003cbr \/\u003eCDs 43-44\u003cbr \/\u003eVERDI: Ernani\u003cbr \/\u003e \u003cbr \/\u003eCDs 45-46\u003cbr \/\u003eCILEA: Adriana Lecouvreur\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Joan Sutherland","offers":[{"title":"OS","offer_id":56781435076995,"sku":"519216000","price":186.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Joan-Sutherland_Joan-Sutherland-The-Operas-1971-1988_CD-Box_s519216_o7789325_a599234_v13692226.4edb6cfa.png?v=1762354327"},{"product_id":"dinah-washington-what-a-diffrence-a-day-makes-verve-vault-108322","title":"What A Diff'rence A Day Makes!","description":"\u003cp\u003e\u0026#34;What A Diff\u0026#039;rence A Day Makes!\u0026#34;, released in 1959 on Mercury Records, marked a turning point in the career of vocalist Dinah Washington — earning her a GRAMMY Award and bringing her rich, blues-informed style into the world of lush orchestral pop. Produced by Clyde Otis and arranged by Belford Hendricks, the album represents Washington’s successful crossover from jazz and R\u0026amp;B into the mainstream pop market. The title track, originally written in Spanish in the 1930s and popularized in English by other vocalists, became Washington\u0026#039;s signature song after her version climbed the Billboard charts and won the 1960 GRAMMY for Best Rhythm \u0026amp; Blues Performance — the first year the award was presented. The album balances Washington\u0026#039;s commanding vocal presence with sophisticated arrangements that blend strings, rhythm section, and light brass. Tracks like \u0026#34;Cry Me a River,\u0026#34; \u0026#34;Manhattan,\u0026#34; and \u0026#34;Time After Time\u0026#34; showcase her ability to deliver emotional nuance and rhythmic phrasing with precision and ease. The result is a seamless fusion of jazz tradition and contemporary production, establishing Washington as one of the most versatile and expressive vocalists of her era. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eWhat A Diff\u0026#039;rence A Day Makes! (1959) \u003c\/p\u003e\u003cp\u003eA1. I Remember You\u003cbr \/\u003eA2. I Thought About you\u003cbr \/\u003eA3. That\u0026#039;s All There Is To That\u003cbr \/\u003eA4. I Won\u0026#039;t Cry Anymore\u003cbr \/\u003eA5. I\u0026#039;m Thru With Love\u003cbr \/\u003eB1. Cry Me A River\u003cbr \/\u003eB2. What A Diff\u0026#039;rence A Day Makes\u003cbr \/\u003eB3. Nothing In The World (Could Make Me Love More Than I Do)\u003cbr \/\u003eB4. Manhattan\u003cbr \/\u003eB5. Time After Time\u003cbr \/\u003eB6. It\u0026#039;s Magic\u003cbr \/\u003eB7. A Sunday Kind Of Love\u003c\/p\u003e","brand":"Dinah Washington","offers":[{"title":"OS","offer_id":56802490515843,"sku":"519250000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Dinah-Washington_What-A-Diff-rence-A-Day-Makes-Verve-Vault_Konfiguration-1LP-Black-180g-Gatefold-Sleeve-Optimal_s519250_o7798730_a599770_v13698435.cc0d95f3.png?v=1762530048"},{"product_id":"blossom-dearie-give-him-the-ooh-la-la-verve-vault-108323","title":"Give Him The Ooh-La La","description":"\u003cp\u003e\u0026#34;Give Him The Ooh-La La\u0026#34;, released in 1958 on Verve Records, captures pianist and vocalist Blossom Dearie\u0026#039;s signature blend of cool understatement, crisp diction, and harmonic finesse. Produced by Norman Granz, the session features Dearie on piano and vocals, leading a quartet with guitarist Herb Ellis, bassist Ray Brown, and drummer Jo Jones. The program includes songs by Cole Porter, Rodgers \u0026amp; Hart, and Noël Coward, along with two Dearie co-writes — \u0026#34;Try Your Wings\u0026#34; and \u0026#34;Bang Goes the Drum (And You’re in Love)\u0026#34; — which showcase her wit and compositional touch. From the sly charm of the title track to the graceful melancholy of \u0026#34;Plus je t’embrasse,\u0026#34; Dearie\u0026#039;s performances balance elegance with rhythmic ease. The intimate arrangements leave space for subtle interplay between her voice and piano, supported by a rhythm section steeped in the language of swing and bop. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eGive Him The Ooh-La La (1958)\u003c\/p\u003e\u003cp\u003eA1. Just One Of Those Things\u003cbr \/\u003eA2. 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Scheisse","offers":[{"title":"OS","offer_id":56843945673091,"sku":"519347000","price":20.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Team-Scheisse_Ich-habe-dir-Blumen-von-der-Tanke-mitgebracht-jetzt-wird-gekuesst_LP_s519347_o7811591_a601012_v13708166.f07630a7.jpg?v=1763046836"},{"product_id":"nobuyuki-tsujii-rachmaninoff-tchaikovsky-109746","title":"Rachmaninoff \u0026 Tchaikovsky","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eOn \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esecond\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealbum\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Deutsche Grammophon, blind \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eJapanese\u003c\/span\u003e \u003cspan class=\"cf0\"\u003estar\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epianist\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Nobuyuki “Nobu” \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTsujii\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e devotes \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ehimself\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eemotionally\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e powerful \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esoundscapes\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eRussian\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eRomanticism\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTogether\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Royal Liverpool Philharmonic Orchestra \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eunder\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Domingo \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eHindoyan\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, he \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eunleashes\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efull\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eforce\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eRachmaninoff’s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano Concerto \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 3, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eone\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emost\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etechnically\u003c\/span\u003e \u003cspan class=\"cf0\"\u003edemanding\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eworks\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e piano \u003c\/span\u003e\u003cspan class=\"cf0\"\u003erepertoire\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eNobu \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecomplements\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e orchestral \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esoundscapes\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecarefully\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eselected\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etranscriptions\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e solo piano: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ehighlights\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eTchaikovsky\u0026#039;s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Nutcracker Suite and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ebreathtaking\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Flight \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eBumblebee\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esparkle\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewhen\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e “Nobu” \u003c\/span\u003e\u003cspan class=\"cf0\"\u003einterprets\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethem\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eboth\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eplayful\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esensitivity\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003etechnical\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eperfection\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eIn 2026, German \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eaudiences\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e will \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efinally\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ebe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eable\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eexperience\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eoutstanding\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eJapanese\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epianist\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e live \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eagain\u003c\/span\u003e \u003cspan class=\"cf1\"\u003e– \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ebusy\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e tour \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eschedule\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e will \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etake\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ehim\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Munich and D\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eüsseldorf, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eamong\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eother\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecities\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eTracklisting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e1. Tchaikovsky: I. March [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e2. Tchaikovsky: II. Dance \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Sugar-Plum Fairy [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e3. Tchaikovsky: III. Tarantella [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e4. Tchaikovsky: IV. Intermezzo [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e5. Tchaikovsky: V. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTrepak\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e6. Tchaikovsky: VI. Chinese Dance [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e7. Tchaikovsky: VII. Andante maestoso [The Nutcracker, Op. 71 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePletnev\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Concert Suite \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e8. Rachmaninoff: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eLilacs\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 21 \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 5 (Version \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e9. Rachmaninoff: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eLilacs\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 21 \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 5 (Version \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e10. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eRimsky-Korsakov\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: Flight \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eBumblebee\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eArr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. Rachmaninoff \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano) [The Tale \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eTsar\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eSaltan\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e11. Rachmaninoff: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eVocalise\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, Op. 34 \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 14 (\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTranscr\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. Richardson \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Piano)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e12. Rachmaninoff: I. Allegro \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ema\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e non \u003c\/span\u003e\u003cspan class=\"cf0\"\u003etanto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e [Piano Concerto \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 3 in D Minor, Op. 30]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e13. Rachmaninoff: II. Intermezzo. Adagio [Piano Concerto \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 3 in D Minor, Op. 30]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003e14. Rachmaninoff: III. Finale. Alla breve [Piano Concerto \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eNo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. 3 in D Minor, Op. 30]\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Nobuyuki Tsujii","offers":[{"title":"OS","offer_id":56973990494595,"sku":"519625000","price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Nobuyuki-Tsujii_Rachmaninoff-Tchaikovsky_1CD-Jewelcase_s519625_o7856002_a605141_v13736550.a58824b7.png?v=1764768026"}],"url":"https:\/\/thecircle.de\/en\/collections\/fresh-off-the-press-release-friday-09-01-2026.oembed","provider":"The Circle","version":"1.0","type":"link"}