{"title":"London Symphony Orchestra","description":null,"products":[{"product_id":"vishnevskaya-pears-fischer-dieskau-lso-britten-britten-war-requiem","title":"Britten: War Requiem","description":"\u003cp\u003eOn January 10, 1963, recording sessions for this world premiere recording of Britten\u0026#039;s War Requiem were completed in London. In 2023, sixty years later, Decca has made new high-resolution 24-bit\/192 kHz transfers of the original quarter-inch stereo master tapes at British Grove Studios for the best possible sound quality. Conducted by the composer and featuring the three soloists (Galina Vishnevskaya, Peter Pears, Dietrich Fischer-Dieskau) for whom the work was written, this still remains for many the reference recording par excellence.\u003c\/p\u003e\u003cp\u003eFor the 3 LP deluxe vinyl edition, the lacquer-foil cut was done at Abbey Road Studios using the half-speed mastering process. Appearing for the first time ever on LP are the secret recordings of Britten\u0026#039;s rehearsals for the War Requiem. The truly comprehensive companion book includes excerpts from John Culshaw\u0026#039;s autobiography, \u0026#34;Putting the Record Straight,\u0026#34; reminiscences by three members of the original 1963 Decca recording team, technical notes, extensive essays on the War Requiem and the recording sessions, and rare, never-before-seen photographs.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eLP 1 \u0026amp; 2\u003cbr \/\u003eI. Requiem aeternam\u003cbr \/\u003e1. a. Requiem aeternam Chorus\u003cbr \/\u003e2. b. What Passing Bells for These who die as Cattle? Tenor\u003cbr \/\u003eII. Dies irae\u003cbr \/\u003e3. a. Dies irae Chorus\u003cbr \/\u003e4. b. Bugles Sang, Saddening the Evening Air Baritone\u003cbr \/\u003e5. c. Liber Scriptus Soprano\u003cbr \/\u003e6. d. Out there, We\u0026#039;ve Walked quite Friendly up to Death Tenor \u0026amp; Baritone\u003cbr \/\u003e7. e. Recordare Jesu pie Chorus\u003cbr \/\u003e8. f. Be Slowly Lifted Up Baritone\u003cbr \/\u003e9. g. Dies irae Chorus\u003cbr \/\u003e10. h. Lacrimosa dies illa Soprano \u0026amp; Chorus\u003cbr \/\u003e11. i. Move Him into the Sun Tenor\u003cbr \/\u003eIII. Offertorium\u003cbr \/\u003e12. a. Domine Jesu Christe\u003cbr \/\u003e13. b. So Abram Rose, and Clave the Wood\u003cbr \/\u003eIV. Sanctus\u003cbr \/\u003e14. a. Sanctus Soprano \u0026amp; Chorus\u003cbr \/\u003e15. b. After the Blast of Lightning from the East Baritone\u003cbr \/\u003eV. Agnus Dei\u003cbr \/\u003e16. One ever Hangs Where Shelled Roads Part Tenor \u0026amp; chorus\u003cbr \/\u003eVI. Libera me\u003cbr \/\u003e17. a. Libera me, Domine Chorus\u003cbr \/\u003e18. b. It Seemed that out of Battle I Escaped Tenor\u003cbr \/\u003e19. c. Let Us Sleep Now ... In Paradisum Baritone, Tenor, Boys, Soprano \u0026amp; Chorus\u003c\/p\u003e\u003cp\u003eLP 3\u003cbr \/\u003e\u003cbr \/\u003eRehearsing War Requiem\u003cbr \/\u003e1. Requiem aeternam Rehearsal                                                      \u003cbr \/\u003e2. Dies irae Rehearsal of the opening section                                   \u003cbr \/\u003e3. Dies irae Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya\u003cbr \/\u003e4. Dies irae Rehearsal of end of movement                                      \u003cbr \/\u003e5. Offertorium Rehearsal                                                                  \u003cbr \/\u003e6. Sanctus Rehearsal                                                                        \u003cbr \/\u003e7. Sanctus Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)\u003cbr \/\u003e8. Agnus Dei Discussion in the control room between Britten, Peter Pears and John Culshaw\u003cbr \/\u003e9. Libera me Discussion in the control room between Britten and John Culshaw\u003cbr \/\u003e10. Libera me Rehearsal                                                                    \u003cbr \/\u003e11. Libera me Rehearsal of closing page   \u003cbr \/\u003e12. Closing remarks                                         \u003c\/p\u003e\u003cp\u003e                                \u003c\/p\u003e","brand":"London Symphony Orchestra, Dietrich Fischer-Dieskau, Galina Vishnevskaya \u0026 Peter Pears","offers":[{"title":"OS","offer_id":53255847838083,"sku":"504857000","price":144.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Vishnevskaya-Pears-Fischer-Dieskau-LSO-Britten_Britten-War-Requiem_3-Vinyl_s504857_o2115404_a403828_v10966944.ed6f6d65_a130b05f-b119-4718-b070-236bfe6d13e0.jpg?v=1744558647"},{"product_id":"yannick-nezet-seguin-bradley-cooper-london-symphony-orchestra-maestro-music-by-leonard-bernstein-ost-3","title":"Maestro: Music by Leonard Bernstein (OST)","description":"\u003cp\u003eDeutsche Grammophon is proud to present the Original Soundtrack of the new Netflix film MAESTRO. The Hollywood superstar Bradley Cooper directs and stars as the legendary conductor and composer Leonard Bernstein. Carey Mulligan plays the actress Felicia Montealegre Bernstein, his wife for nearly three decades until her death. A love letter to life and art, MAESTRO   at its core is an emotionally epic portrayal of family and love. Exclusive DG artist Yannick Nézet-Séguin conducts the London Symphony Orchestra.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003e1. Symphonic Suite from On the Waterfront \/ Manfred, Op. 115: Overture \/ Fancy Free: Var. 1 (Galop) \u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003cbr \/\u003e\nPiano: Victoria Ruggiero\u003c\/p\u003e\n\n\u003cp\u003e2. On the Town: Lonely Town. Pas de deux\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e3. On the Town: I Get Carried Away \/ You\u0026#039;ve Got That Look (That Leaves Me Weak)\u003cbr \/\u003e\nNick Blaemire\u003cbr \/\u003e\nMallory Portnoy\u003cbr \/\u003e\nKate Eastman\u003c\/p\u003e\n\n\u003cp\u003e4. Trouble in Tahiti: Interlude   \u003cbr \/\u003e\nVocals: Antonia Butler\u003cbr \/\u003e\nVocals: Michael Clarke\u003cbr \/\u003e\nVocals: Mark Brown\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e5. Candide: Paris Waltz\u003cbr \/\u003e\nPiano: Howard Watkins\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e6. Facsimile: Molto adagio                                                                                                                                                   \u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e7. Fancy Free: Enter Three Sailors \/ Fancy Free: Var. 3 (Danzon) \/ On the Town: New York, New York                      \u003cbr \/\u003e\nVocals: Tony Yazbeck\u003cbr \/\u003e\nVocals: Clyde Alves\u003cbr \/\u003e\nVocals: Jay Armstrong Johnson\u003cbr \/\u003e\nPiano: Ruth Mense\u003cbr \/\u003e\nDrums: Dicky Tarrach\u003cbr \/\u003e\nBass Guitar: Thissy Thiers\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003cbr \/\u003e\nNew York Philharmonic\u003cbr \/\u003e\nConductor: Leonard Bernstein\u003c\/p\u003e\n\n\u003cp\u003e8. Songfest: To What You Said \/ Interview (Dialogue) \/ Anniversaries for Orchestra: X. For Felicia Montealegre        \u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e9. St. Louis Blues (Concerto Grasso) \/ Symphony No. 5 in C-Sharp Minor, Pt. 3: Adagietto                                          \u003cbr \/\u003e\nLouis Armstrong Quintet\u003cbr \/\u003e\nLewisohn Stadium Symphony Orchestra\u003cbr \/\u003e\nWiener Philharmoniker\u003cbr \/\u003e\nConductor: Leonard Bernstein\u003c\/p\u003e\n\n\u003cp\u003e10. Candide: Make Our Garden Grow\u003cbr \/\u003e\nSpeaker: Bradley Cooper\u003cbr \/\u003e\nMaestro Choir\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e11. West Side Story: Prologue\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e12. Mass: XVII. Pax: Communion                                                                                                                                         \u003cbr \/\u003e\nVocals: Malakai Bayoh\u003cbr \/\u003e\nVocals: Ann De Renais\u003cbr \/\u003e\nVocals: Philip John Sheffield\u003cbr \/\u003e\nVocals: Samuel Oladeinde\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e13. Facade: Sir Beelzebub                                                                                                                                                      \u003cbr \/\u003e\nCarey Mulligan\u003cbr \/\u003e\nZachary Booth\u003c\/p\u003e\n\n\u003cp\u003e14. Symphony No. 2 in C Minor \u0026#34;Resurrection\u0026#34;: V. Finale. 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A Quiet Place: Postlude                                                                                                                                                     \u003cbr \/\u003e\nSpeaker: Bradley Cooper\u003cbr \/\u003e\nThe Orchestra Now\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e18. Chichester Psalms: Psalm 23                                                                                                                                          \u003cbr \/\u003e\nVocals: Malakai Bayoh\u003cbr \/\u003e\nLondon Symphony Chorus\u003cbr \/\u003e\nLondon Symphony Orchestra\u003cbr \/\u003e\nConductor: Yannick Nézet-Séguin\u003c\/p\u003e\n\n\u003cp\u003e19. 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The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl record (45 rpm) and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eStravinsky: Petrushka, K012\u003cbr \/\u003eSide A\u003cbr \/\u003eScene 1\u003cbr \/\u003e1. Ia. The Shrovetide Fair - The Crowds - The Conjuring-Trick\u003cbr \/\u003e2. Ib. Russian Dance\u003c\/p\u003e\u003cp\u003eScene 2\u003cbr \/\u003e3. II. Petrushka\u0026#039;s Room\u003c\/p\u003e\u003cp\u003eSide B\u003cbr \/\u003eScene 3\u003cbr \/\u003e1. IIIa. 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With Petrushka, Stravinsky showed his neo-folkloric side and brought a colourful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\u003c\/p\u003e\u003cp\u003eThis is one of the few Deutsche Grammophon productions from 1980 in which digital 2-track and analogue 8-track were recorded in parallel. By using the analogue 8-track master, this release now makes the recording available in purely analogue form for the very first time.\u003cbr \/\u003eThe audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and cut the original four- and eight-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\u003cp\u003eOn 180g vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are released limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.\u003c\/p\u003e\u003cp\u003eNow available exclusively in our D2C Store: White Label of this recording pressed, including a cover card with tracklist on the back. Limited to 99 copies worldwide.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eStravinsky: Petrushka, K012\u003cbr \/\u003eSide A\u003cbr \/\u003eScene 1\u003cbr \/\u003e1. Ia. The Shrovetide Fair - The Crowds - The Conjuring-Trick\u003cbr \/\u003e2. Ib. 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