{"title":"Mastercut Records - Archival Tape Editions","description":"","products":[{"product_id":"james-brown-live-at-the-apollo-104063","title":"Live At The Apollo","description":"\u003cp class=\"MsoNormal\"\u003eArchival Tape Edition No. 22\u003cbr \/\u003e\u003cbr \/\u003eThis recording captures one of the most iconic live performances in music history: \u003cem\u003eJames Brown—Live at the Apollo\u003c\/em\u003e.\u003cbr \/\u003eRecorded in 1962, this electrifying set showcases the Godfather of Soul at the height of his powers. From the explosive energy of the opening to the raw emotion in every note, Brown delivers a masterclass in live performance.\u003cbr \/\u003eThis edition preserves the original analog magic in stunning fidelity, carefully transferred from archival sources. It\u0026#039;s more than a concert — it\u0026#039;s a sonic time capsule of pure, unfiltered soul. A must-have for anyone who wants to feel what it was like to be there, front row, in the heart of the Apollo.\u003c\/p\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\u003cul\u003e\u003cli\u003e\u0026#34;Introduction by Fats Gonder\/Opening Fanfare\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;I\u0026#039;ll Go Crazy\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Try Me\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Instrumental Bridge #1\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Think\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Instrumental Bridge #1\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;I Don\u0026#039;t Mind\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Instrumental Bridge #1\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Lost Someone - Part 1\u0026#34;\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE B \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003e\u0026#34;Lost Someone - Part 2\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Medley: Please Please Please\/You\u0026#039;ve Got The Power\/I Found Someone\u0026#34;\u003c\/li\u003e\u003cli\u003e\u0026#34;Night Train\u0026#34;\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr \/\u003eMUSICIANS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eVocals: James Brown\u003c\/li\u003e\u003cli\u003eBacking Vocals: Bobby Byrd, Bobby Bennett, \u0026#34;Baby\u0026#34; Lloyd Stallworth\u003c\/li\u003e\u003cli\u003eTrumpet: Lewis Hamlin, Roscoe Beck, Teddy Washington\u003c\/li\u003e\u003cli\u003eTrombone: Dickie Wells\u003c\/li\u003e\u003cli\u003eAlto Saxophone: William \u0026#34;Po\u0026#039; Devil\u0026#34; Burgess\u003c\/li\u003e\u003cli\u003eTenor Saxophone: St. Clair Pinckney, Clifford \u0026#34;Ace King\u0026#34; MacMillan\u003c\/li\u003e\u003cli\u003eTenor \u0026amp; Baritone Saxophone: Al \u0026#34;Brisco\u0026#34; Clark\u003c\/li\u003e\u003cli\u003eGuitar: Les Buie\u003c\/li\u003e\u003cli\u003eOrgan: Lucas \u0026#34;Fats\u0026#34; Gonder\u003c\/li\u003e\u003cli\u003eBass Guitar: Hubert Perry\u003c\/li\u003e\u003cli\u003eDrums: Clayton Fillyau\u003c\/li\u003e\u003c\/ul\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eRECORDED TO TAPE\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003eOctober 24th 1962\u003c\/li\u003e\u003cli\u003eApollo Theatre, New York City\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003eCUTTING ENGINEER NOTES\u003c\/strong\u003e\u003cdiv\u003eYou will notice that the track “Lost Someone” is the last of Side A as well as the first of Side B. This nearly 11-minute track is actually cut into two pieces, and there is not even a fade-out and fade-in to make the transition smoother.\u003cbr \/\u003e\u003cbr \/\u003ePlease note that this is just how it is on the original master tape for this record. We don’t know the reason for this, maybe the tape ran out during the original recording and the engineer had to put on a new reel in the middle of the song. Or someone decided in post-production to split the track in order to achieve a more even distribution of playing time per side. Maybe this was deemed a better solution than re-arranging track order, disturbing the dramatic structure of the live event.\u003cbr \/\u003e\u003cbr \/\u003eAs always, with Mastercut you get the authentic experience of the original master tape, even if this means having to get out of your chair and turn the record over in the middle of an epic piece of music…!\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr \/\u003eBOOKLET CONTENT\u003cbr \/\u003e\u003c\/strong\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\u003cp\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"James Brown","offers":[{"title":"OS","offer_id":56163722396035,"sku":"517393000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/James-Brown_Live-At-The-Apollo_Hand-Cut-LP-Mastercut-Record_s517393_o7464673_a580260_v13507931.9aeb4021_edfb53e7-c9b4-44d4-aa2f-4afeea1baf6b.jpg?v=1754462011"},{"product_id":"the-band-the-band-archival-tape-edition-no-21-104089","title":"The Band","description":"\u003cp class=\"MsoNormal\"\u003eArchival Tape Edition No. 21\u003cbr \/\u003e\u003cbr \/\u003eKnown to fans and collectors alike as \u0026#34;The Brown Album\u0026#34;, The Band\u0026#039;s second studio release arrived on September 22, 1969, via Capitol Records - less an album than a sepia-toned scrapbook of mythic Americana.\u003cbr \/\u003eIn the liner notes to the 2000 reissue, music historian Rob Bowman frames it as a kind of concept album, though not in the strict sense. Rather, these songs feel like dispatches from a half-remembered past: dusty rail towns, failing harvests, Civil War ghosts, and bar room philosophers.\u003cbr \/\u003eTracks like “The Night They Drove Old Dixie Down” and “King Harvest (Has Surely Come)” hum with the weight of history, while “Jawbone,” with its off-kilter 6\/4 rhythm, teeters like a drunk trying to dance and testify at the same time.\u003cbr \/\u003eThe Band wasn\u0026#039;t just chronicling a bygone America - they were conjuring it.\u003c\/p\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\u003cul\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Across the Great Divide\u0026#34;\u003c\/em\u003e - 2:53\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Rag Mama Rag\u0026#34;  -\u003c\/em\u003e 3:04\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;The Night They Drove Old Dixie Down\u0026#34;\u003c\/em\u003e - 3:33\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;When You Awake\u0026#34;\u003c\/em\u003e (Manuel, Robertson) - 3:13\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Up on Cripple Creek\u0026#34;\u003c\/em\u003e - 4:34\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Whispering Pines\u0026#34;\u003c\/em\u003e (Manuel, Robertson) - 3:58\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eSIDE B \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Jemima Surrender\u0026#34;\u003c\/em\u003e  (Helm, Robertson) - 3:31\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Rockin\u0026#039; Chair\u0026#34; \u003c\/em\u003e- 3:43\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Look Out Cleveland\u0026#34; - \u003c\/em\u003e 3:09\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Jawbone\u0026#34;\u003c\/em\u003e (Manuel, Robertson) - 4:20\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;The Unfaithful Servant\u0026#34;\u003c\/em\u003e - 4:17\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;King Harvest (Has Surely Come)\u0026#34;\u003c\/em\u003e - 3:39\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr \/\u003eMUSICIANS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eRick Danko – bass guitar, fiddle, trombone, vocals\u003c\/li\u003e\u003cli\u003eLevon Helm – drums, mandolin, rhythm guitar, vocals\u003c\/li\u003e\u003cli\u003eGarth Hudson – organ, clavinet, piano, accordion, melodica \u0026amp; more\u003c\/li\u003e\u003cli\u003eRichard Manuel – piano, drums, baritone saxophone, harmonica, vocals\u003c\/li\u003e\u003cli\u003eRobbie Robertson – electric and acoustic guitars\u003c\/li\u003e\u003c\/ul\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eRECORDED TO TAPE\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003eApril 1966 – November 1966\u003c\/li\u003e\u003cli\u003ePool house in Holywood Hills - California, The Hit Factory - New York City\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr \/\u003eLabel: Capitol\u003cbr \/\u003eProduction: John Simon\u003c\/p\u003e\u003cdiv\u003e\u003cp\u003e\u003cstrong\u003eBOOKLET CONTENT\u003cbr \/\u003e\u003c\/strong\u003eContaining our traditional collection of all analog print treasures and memorabilia. \u003c\/p\u003e\u003c\/div\u003e\u003cp\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released: \u003c\/em\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003c\/p\u003e","brand":"The Band","offers":[{"title":"OS","offer_id":56168315748739,"sku":"517394000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/The-Band_The-Band_Hand-Cut-LP-Mastercut-Record_s517394_o7464703_a580293_v13507979.ef93c3b8.jpg?v=1754462027"},{"product_id":"the-velvet-underground-nico-the-velvet-underground-nico-archival-tape-edition-no-20-104092","title":"The Velvet Underground \u0026 Nico - Archival Tape Edition No. 20","description":"\u003cp class=\"MsoNormal\"\u003eArchival Tape Edition No. 20\u003cbr \/\u003e\u003cem\u003e\u003cbr \/\u003e“Modern music begins with The Velvets.”\u003cbr \/\u003e\u003c\/em\u003e– Lester Bangs\u003c\/p\u003e\u003cp\u003eWhen The Velvet Underground \u0026amp; Nico album was released in March 1967 on Verve Records, with its Andy Warhol-designed, peel-off banana cover, it was far from a chart-topper. In fact, as the famed quote attributed to Brian Eno famously put it, the album may not have sold many copies, \u003cem\u003e“but everyone who bought it formed a band.”\u003c\/em\u003e And its reputation as a groundbreaker has only increased over the six decades since its original release.\u003cbr \/\u003eThe Velvet Underground \u0026amp; Nico album has achieved many honours since its release;. The Observer placed it number 1 in 50 Albums that Changed the World Uncut placed it a number 1 of 100 Greatest Debut Albums and was placed in the top 10 of Mojo’s 100 Greatest albums.\u003cbr \/\u003eGlobally, the album is seen just like Sgt. Pepper’s and Pet Sounds, as a seminal, influential high-water mark in rock music history.\u003cbr \/\u003ePlease be prepared to dive into the strange world of The Velvet Underground deeper than you ever did. It is a very rough and radical recording with many disturbing experiences, shaking your whole body up side down. Definitely  not a smooth easy listening experience but for sure the closest you will ever be able to dive into this revolutionary spirit of music and art.\u003c\/p\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\u003cul\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Sunday Morning\u0026#34;\u003c\/em\u003e (Reed, Cale) – 2:56\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;I\u0026#039;m Waiting for the Man\u0026#34;\u003c\/em\u003e  – 4:39\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Femme Fatale\u0026#34;\u003c\/em\u003e - 2:38\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Venus in Furs\u0026#34;\u003c\/em\u003e - 5:12\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Run Run Run\u0026#34;\u003c\/em\u003e - 4:22\u003c\/li\u003e\u003cli\u003e\u0026#34;\u003cem\u003eAll Tomorrow’s Parties\u0026#34;\u003c\/em\u003e -  6:00\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eSIDE B \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003e\u003cem\u003e\u0026#34;Heroin\u0026#34;\u003c\/em\u003e  – 7:12\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;There She Goes Again\u0026#34;\u003c\/em\u003e – 2:41\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;I’ll Be Your Mirror\u0026#34;\u003c\/em\u003e – 2:14\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;The Black Angel’s Death Song\u0026#34;\u003c\/em\u003e (Reed, Cale) - 3:11\u003c\/li\u003e\u003cli\u003e\u003cem\u003e\u0026#34;European Son\u003c\/em\u003e\u003cem\u003e\u0026#34;\u003c\/em\u003e (Reed, Cale, Morrison, Tucker) – 7:46\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eMUSICIANS\u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\u003cul\u003e\u003cli\u003eJohn Cale – electric viola, bass, piano\u003c\/li\u003e\u003cli\u003eSterling Morrison – rhythm guitar, bass\u003c\/li\u003e\u003cli\u003eLou Reed – vocals, lead guitar, ostrich guitar\u003c\/li\u003e\u003cli\u003eMaureen Tucker – percussion, drums\u003c\/li\u003e\u003cli\u003eNico – vocals\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eRECORDED TO TAPE\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003eApril 1966 – November 1966\u003c\/li\u003e\u003cli\u003eScepter Studios - Manhatten, TTG Studios - LA, Mayfair Recording Studios - Manhattan\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr \/\u003eLabel: Verve Records\u003cbr \/\u003eProduction: Andy Warhol \u003c\/p\u003e\u003cdiv\u003e\u003cp\u003e\u003cstrong\u003eBOOKLET CONTENT\u003cbr \/\u003e\u003c\/strong\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003cbr \/\u003e\u003cbr \/\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr \/\u003e\u003c\/em\u003e\u003c\/p\u003e\u003c\/div\u003e","brand":"The Velvet Underground \u0026 Nico","offers":[{"title":"OS","offer_id":56168328626563,"sku":"517395000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/The-Velvet-Underground-Nico_The-Velvet-Underground-Nico_Hand-Cut-LP-Mastercut-Record_s517395_o7464713_a580266_v13507941.7fcb8ff7.jpg?v=1754462036"},{"product_id":"sonny-rollins-on-impulse-104101","title":"On Impulse!","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eArchival Tape Edition No. 17\u003cbr \/\u003e\u003cbr \/\u003eWalter Theodore \u003cem\u003e\u0026#34;Sonny\u0026#34;\u003c\/em\u003e Rollins, born September 7, 1930, is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians of all times and has been called \u0026#34;the greatest living improviser\u0026#34;. \u003cbr \/\u003eAfter a difficult youth with several months in jail, Sonny recorded recorded over sixty albums as a leader in a seven-decade career.  A number of his compositions, including \u003cem\u003e\u0026#34;St. Thomas\u0026#34;,\u003c\/em\u003e \u003cem\u003e\u0026#34;Oleo\u0026#34;\u003c\/em\u003e, \u003cem\u003e\u0026#34;Doxy\u0026#34;\u003c\/em\u003e, and \u003cem\u003e\u0026#34;Airegin\u0026#34;\u003c\/em\u003e, have become jazz standards. \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;Sonny Rollins on Impulse!\u0026#34; \u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eis Rollin\u0026#039;s first to be released on the Impulse! label, featuring performances by Rollins with Ray Bryant, Walter Booker and Mickey Roker.\u003cbr \/\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eThe Allmusic review by Thom Jurek states: \u003cem\u003e\u0026#34;This date is significant for the manner in which Rollins attacks five standards with a quartet.... Sonny Rollins on Impulse! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it\u0026#039;s a winner through and through.\u0026#34;\u003cbr \/\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eWe are very proud to welcome Sonny Rollins to our expanding MASTERCUT family with his powerful interpretation of the following classics:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cul style=\"margin-top: 0cm;\"\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l3 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;On Green Dolphin Street\u0026#34; \u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e(Bronislaw Kaper, Ned Washington) - 7:10\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l3 level1 lfo1; tab-stops: list 36.0pt;\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;Everything Happens to Me\u0026#34;\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e (Tom Adair, Matt Dennis) - 11:14\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cbr \/\u003eSIDE B \u003cbr \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul style=\"margin-top: 0cm;\"\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo2; tab-stops: list 36.0pt;\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;Hold \u0026#039;Em Joe\u0026#34;\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e (Harry Thomas) - 5:30\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo2; tab-stops: list 36.0pt;\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;The Blue Room\u0026#34;\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e (Lorenz Hart, Richard Rodgers) - 3:44\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo2; tab-stops: list 36.0pt;\"\u003e\u003cem\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u0026#34;Three Little Words\u0026#34;\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e (Bert Kalmar, Harry Ruby) - 6:56\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cbr \/\u003eMUSICIANS\u003c\/strong\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cul style=\"margin-top: 0cm;\"\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo3; tab-stops: list 36.0pt;\"\u003eSonny Rollins - tenor saxophone\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo3; tab-stops: list 36.0pt;\"\u003eRay Bryant - piano\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo3; tab-stops: list 36.0pt;\"\u003eWalter Booker - bass\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l1 level1 lfo3; tab-stops: list 36.0pt;\"\u003eMickey Roker - drums\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\u003c\/p\u003e\u003cul style=\"margin-top: 0cm;\"\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l4 level1 lfo4; tab-stops: list 36.0pt;\"\u003eDate of Recording: July 8, 1965\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l4 level1 lfo4; tab-stops: list 36.0pt;\"\u003eLocation: Van Gelder Studio, Englewood Cliffs, NJ\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\u003cul style=\"margin-top: 0cm;\"\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eA MINOLTA EP415Z COPY OF A SCAN OF THE TAPE BOX\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eA CYANOTYPE OF SONNY ROLLINS AFTER AN ORIGINAL PHOTOGRAPH FROM JAN PERSSON\/GETTY IMAGES. \u003c\/span\u003eSONNY ROLLINS PERFORMING IN COPENHAGEN, DENMARK, 1963.\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „ON GREEN DOLPHIN STREET“\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVING ROOM STUDIO.\u003cbr \/\u003e\u003c\/span\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\" style=\"mso-list: l2 level1 lfo5; tab-stops: list 36.0pt;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cbr \/\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Sonny Rollins","offers":[{"title":"OS","offer_id":56168412381571,"sku":"517397000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Sonny-Rollins_On-Impulse_Hand-Cut-LP-Mastercut-Record_s517397_o7464725_a580286_v13507971.7f8aa501.jpg?v=1754462047"},{"product_id":"sarah-vaughan-sarah-vaughan-104105","title":"Sarah Vaughan","description":"\u003cp\u003eArchival Tape Edition No. 16\u003cbr \/\u003e\u003cbr \/\u003e\u003cem\u003e\u0026#34;Sarah Vaughan\u0026#34;\u003c\/em\u003e is a legendary 1955 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released in Mono on the EmArcy label. It was the only collaboration between the two musicians. The album was Vaughan\u0026#039;s own favorite among her works through 1980 and was inducted into the Grammy Hall of Fame in 1999. Sarah Vaughan was overwhelmingly a critical success. Contemporary critics were enthusiastic, with Billboard opening, \u003cem\u003e\u0026#34;Here are nine examples of Sarah Vaughan\u0026#039;s vocal gifts. Her individual phrasing, her highly distinctive mannerisms are in the grooves. [...] For the dealer with any jazz trade at all, this package is virtually a must.\u0026#34;\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/em\u003eWhat exactly does it mean if a MASTERCUT EDITION is cut from a MONO tape? This means that the left and right channel of our high end cutting head engraves the identical (MONO) information into the lacquer blank. The full potential of your record can be enjoyed with your standard stereo turntable setup.\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\n\u003cul\u003e\n\u003cli\u003eLullaby Of Birdland\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003cli\u003eHe\u0026#039;s My Guy\u003c\/li\u003e\n\u003cli\u003eJim\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE B \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eYou\u0026#039;re Not The Kind\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003cli\u003eI\u0026#039;m Glad There Is You\u003c\/li\u003e\n\u003cli\u003eSeptember Song\u003c\/li\u003e\n\u003cli\u003eIt\u0026#039;s Crazy\u003cbr \/\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: Sarah Vaughan\u003c\/li\u003e\n\u003cli\u003eTrumpet: Clifford Brown\u003c\/li\u003e\n\u003cli\u003eTenor Saxophone: Paul Quinichette\u003c\/li\u003e\n\u003cli\u003ePiano: Jimmy Jones\u003c\/li\u003e\n\u003cli\u003eDouble Bass: Joe Benjamin\u003c\/li\u003e\n\u003cli\u003eFlute: Herbie Mann\u003c\/li\u003e\n\u003cli\u003eDrums: Roy Haynes\u003c\/li\u003e\n\u003cli\u003eArranged \u0026amp; Conducted by Ernie Wilkins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eRECORDED TO TAPE\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: December 18, 1954\u003c\/li\u003e\n\u003cli\u003eLocation: Fine Recording Studio, New York City\u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: 01-026515 \/ Side B: 01-026516\u003c\/li\u003e\n\u003cli\u003eProducer: Bob Shad \/ Quincy Jones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003e\u003cbr \/\u003eBOOKLET CONTENT LIST\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA RISOGRAPH OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF SARAH VAUGHAN AFTER AN ORIGINAL PHOTOGRAPH FROM BOB PARENT\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 4: „JIM“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr \/\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr \/\u003e\u003cbr \/\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr \/\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e","brand":"Sarah Vaughan","offers":[{"title":"OS","offer_id":56168499118467,"sku":"517398000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Sarah-Vaughan_Sarah-Vaughan_Hand-Cut-LP-Mastercut-Record_s517398_o7464742_a580275_v13507954.fd649222.jpg?v=1754460970"},{"product_id":"louis-armstrong-oscar-peterson-louis-armstrong-meets-oscar-peterson-104108","title":"Louis Armstrong meets Oscar Peterson","description":"\u003cp\u003eArchival Tape Edition No. 15\u003cbr \/\u003e\u003cbr \/\u003eNorman Granz signed Armstrong to his Verve roster and placed him with label hero Oscar Peterson\u0026#039;s trio, augmented by Bellson, for these 2 relaxed, unhurried sessions recorded on October 14, 1957 first issued on LP in 1959. Undoubtedly, 1957 was a momentous year for the 56-year old Satchmo. It encompassed his major Musical Autobiography recordings, the various Ella and Louis sessions, the Porgy and Bess album and sundry other band releases, plus the tyranny of his perpetual round of one-nighters, so he probably relished this chance to sit down with Peterson, his trumpet mostly untouched, taking it relatively easy, his peerless, husky vocals uppermost. While Peterson fans saw this combination with Armstrong as a backward step given his usual association with the top modern stars of the day, there\u0026#039;s plenty here to applaud nonetheless. Just to hear Armstrong handle \u003cem\u003e\u0026#34;Blues In The Night\u0026#34;\u003c\/em\u003e,  complete with its beautifully balanced trumpet solo, is enough to justify Granz\u0026#039;s original idea.\u003c\/p\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003cbr \/\u003e\u003c\/strong\u003e\u003cbr \/\u003e\u003cul\u003e\u003cli\u003eThat Old Feeling\u003c\/li\u003e\u003cli\u003eLet\u0026#039;s Fall In Love\u003c\/li\u003e\u003cli\u003eI\u0026#039;ll Never Be The Same\u003c\/li\u003e\u003cli\u003eBlues In The Night\u003c\/li\u003e\u003cli\u003eHow Long Has This Been Going On?\u003c\/li\u003e\u003cli\u003eI Was Doing All Right\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cstrong\u003eSIDE B \u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003eWhat\u0026#039;s New?\u003c\/li\u003e\u003cli\u003eMoon Song\u003c\/li\u003e\u003cli\u003eJust One Of Those Things\u003c\/li\u003e\u003cli\u003eThere\u0026#039;s No You\u003c\/li\u003e\u003cli\u003eYou Go To My Head\u003c\/li\u003e\u003cli\u003eSweet Lorraine\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr \/\u003eMUSICIANS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eTrumpet: Louis Armstrong\u003c\/li\u003e\u003cli\u003ePiano: Oscar Peterson\u003c\/li\u003e\u003cli\u003eGuitar: Herb Ellis\u003c\/li\u003e\u003cli\u003eBass: Ray Brown\u003c\/li\u003e\u003cli\u003eDrums: Louie Bellson\u003c\/li\u003e\u003c\/ul\u003e\u003cdiv\u003e\u003cstrong\u003e\u003cbr \/\u003eRECORDED TO TAPE\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/strong\u003e\u003cul\u003e\u003cli\u003eDate of Recording: October 14, 1957\u003c\/li\u003e\u003cli\u003eLocation: Capitol Studios, Los Angeles\u003c\/li\u003e\u003cli\u003eOriginal tape numbers: Side A: 01-001106 \/ Side B: 01-001107\u003c\/li\u003e\u003cli\u003eProducer: Norman Granz\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003e\u003cbr \/\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eA RISOGRAPH OF THE ORIGINAL TAPE BOX\u003c\/li\u003e\u003cli\u003eA CYANOTYPE OF LOUIS ARMSTRONG AND OSCAR PETERSON AFTER AN ORIGINAL PHOTOGRAPH FROM PHIL STERN\u003c\/li\u003e\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 6: „I WAS DOING ALRIGHT“\u003c\/li\u003e\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr \/\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr \/\u003e\u003cbr \/\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr \/\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr \/\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e","brand":"Louis Armstrong, Louis Armstrong \u0026 Oscar Peterson","offers":[{"title":"OS","offer_id":56168526250371,"sku":"517399000","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Louis-Armstrong-Oscar-Peterson_Louis-Armstrong-meets-Oscar-Peterson_Hand-Cut-LP-Mastercut-Record_s517399_o7464748_a580278_v13507959.3ced7a57.jpg?v=1754461367"}],"url":"https:\/\/thecircle.de\/en\/collections\/mastercut-records-archival-tape-editions.oembed","provider":"The Circle","version":"1.0","type":"link"}