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Future releases would have the classic portrait of Marley smoking a “spliff” and crediting the band as Bob Marley and the Wailers with the image taken by Esther Anderson. A tour taking place in the UK and US generating international interest in the band.\u003c\/p\u003e\u003cp\u003eCritical acclaim has included the album being listed at number 126 on Rolling Stone’s 500 Greatest Albums of All Time, It is regarded as one of the top reggae albums of all time.\u003c\/p\u003e\u003cp\u003eIn 1971 after a solo tour Marley returned to Jamaica with Peter Tosh and Bunny Wailer to record Catch A Fire but the sessions were abandoned because of clashes with Johnny Nash and Danny Sims. The band did not have funds to return to Jamaica, nor could they earn money due to work-permit restrictions, The group’s London Road manager, Brent Clarke, recommended they get in contact with Chris Blackwell from Island Records, who had released licensed singles by The Wailers from Studio One in Great Britain. Blackwell gave the group an advance of £4000 to help them get home to Jamaica, and to complete the recording of their next album. In 1972 the album was recorded in Kingston, Jamaica at 3 different studios. As the story goes, in 1972 Marley flew back to London to play the tapes to Chris Blackwell. CBS and Sims, with whom the band were already contracted, took Blackwell and the Island Records label to court over the recording, Island won the case, Blackwell remixed the tracks at the Island Studios on Basing Street and included overdubs.\u003c\/p\u003e\u003cp\u003eApril 2023 saw the 50\u003csup\u003eth\u003c\/sup\u003e Anniversary of Catch A Fire, to mark this a limited edition 7” featuring 2 alternate versions of Stir It Up (vocal and instrumental) both feature on these releases. The 3LP\u0026#43;12” vinyl package will consist of the studio album, Live at The Paris Theatre London, previously only ever bootlegged, will get its first official release, the package also feature’s Alt, extended and instrumental Jamaican versions of album tracks Slave Driver, 400 Years No More Trouble and Stop That Train, finally on the 12” is 3 tracks from the Wailer’s performance at the Sundown Theatre in the village of Edmonton, North London, playing tracks Slave Driver, Stop That Train \u0026amp; Get Up Stand, Stand up, the reverse side has an etched image of Bob.\u003c\/p\u003e\u003cp\u003eThe LP \u0026amp; CD packages will feature books made up of classic images of Bob from his photo shoots with Adrian Boot, Arthur Gorson who shot images of Bob for 2 weeks in Jamaica, Dennis Morris, \u0026amp; Neville Garrick, many of these images have never been seen before, press clippings from the era and release of the album, Brand new notes have been written by renowned music journalist and author Chris Salewicz who was close friends with Bob spending a lot of time with him. The packages will use covers of both the Zippo lighter \u0026amp; Bob smoking on either side. The D2C offering will be a limited run pressed on coloured vinyl.\u003c\/p\u003e\u003cp\u003e\u003cu\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLP1 - Studio Album - Side A\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eConcrete Jungle\u003c\/li\u003e\t\u003cli\u003eSlave Driver\u003c\/li\u003e\t\u003cli\u003e400 Years\u003c\/li\u003e\t\u003cli\u003eStop That Train\u003c\/li\u003e\t\u003cli\u003eBaby We\u0026#039;ve Got A Date (Rock It Baby)\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eLP1 - Studio Album - Side B\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eStir It Up\u003c\/li\u003e\t\u003cli\u003eKinky Reggae\u003c\/li\u003e\t\u003cli\u003eNo More Trouble\u003c\/li\u003e\t\u003cli\u003eMidnight Ravers\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eLP2 - Paris Theatre London \/ 24th May 1973 - Side A\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eRastaman Chant\u003c\/li\u003e\t\u003cli\u003eSlave Driver\u003c\/li\u003e\t\u003cli\u003eStop That Train\u003c\/li\u003e\t\u003cli\u003eNo More Trouble\u003c\/li\u003e\t\u003cli\u003e400 Years\u003c\/li\u003e\t\u003cli\u003eMidnight Ravers\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eLP2 - Paris Theatre London \/ 24th May 1973 - Side B\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eStir it Up\u003c\/li\u003e\t\u003cli\u003eConcrete Jungle\u003c\/li\u003e\t\u003cli\u003eGet Up, Stand Up\u003c\/li\u003e\t\u003cli\u003eKinky Reggae\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eLP3 - Sessions - Side A\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eSlave Driver (Jamaican Extended Version)\u003c\/li\u003e\t\u003cli\u003e400 Years (Jamaican Extended Version)\u003c\/li\u003e\t\u003cli\u003eHigh Tide Or Low Tide (Jamaican Alternate Version)\u003c\/li\u003e\t\u003cli\u003eStir It Up (Jamaican Alternate Version)\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eLP3 - Sessions - Side B\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eNo More Trouble (Jamaican Extended Instrumental)\u003c\/li\u003e\t\u003cli\u003eStir It Up (Jamaican Extra Organ Version)\u003c\/li\u003e\t\u003cli\u003eNo More Trouble (Jamaican Extended Version)\u003c\/li\u003e\t\u003cli\u003eStop That Train (Working Mono Version)\u003cbr \/\u003e\t \u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003e12\u0026#34; - Edmonton Sundown May 1973\u003c\/strong\u003e\u003c\/p\u003e\u003col style=\"list-style-type:decimal\"\u003e\t\u003cli\u003eSlave Driver (The Sundown Theatre in Edmonton, England. May 1973)\u003c\/li\u003e\t\u003cli\u003eGet Up, Stand Up (The Sundown Theatre in Edmonton, England. May 1973)\u003c\/li\u003e\t\u003cli\u003eStop That Train (The Sundown Theatre in Edmonton, England. May 1973)\u003c\/li\u003e\u003c\/ol\u003e","brand":"Bob Marley \u0026 The Wailers","offers":[{"title":"OS","offer_id":40524562432035,"sku":"504718000","price":74.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Bob-Marley-The-Wailers_Catch-A-Fire-50th-Anniversary_3LP-12_s504718_o2102660_a400301_v10841198.1b1740d5_2b9e10af-66ed-4ba2-8ac4-de8b62251ccf.jpg?v=1740783961"},{"product_id":"bob-marley-the-wailers-catch-a-fire-50th-anniversary-1","title":"Catch A Fire (50th Anniversary)","description":"\u003cp\u003eBob Marley \u0026amp; The Wailers’ »Catch A Fire« is released as a 50th Anniversary Edition in a limited 4LP deluxe set on coloured vinyl. The edition includes the complete Paris Theatre, London performance for the first time, along with previously unheard alternative and extended versions of selected tracks. The set is completed by three recordings from the famed Sundown Theatre gig in Edmonton, London, a 24-page book with new liner notes by Chris Salewicz and previously unseen images, plus an etched side on LP 4.\u003c\/p\u003e","brand":"Bob Marley \u0026 The Wailers","offers":[{"title":"OS","offer_id":40524562497571,"sku":"504719000","price":79.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Bob-Marley-The-Wailers_Catch-A-Fire-50th-Anniversary_Exclusive-4LP-3-x-Coloured-Vinyl-12-w-Etching-Book_s504719_o2102678_a646098_v13925440.a3a2a6cc.png?v=1781530357"},{"product_id":"bob-marley-the-wailers-catch-a-fire-50th-anniversary-2","title":"Catch A Fire (50th Anniversary)","description":"\u003cp\u003eCatch A Fire is the fifth studio album by Bob Marley and the Wailers and the first to be released by Island Records UK.  Originally having a limited release under the name, The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner. Future releases would have the classic portrait of Marley smoking a “spliff” and crediting the band as Bob Marley and the Wailers with the image taken by Esther Anderson. A tour taking place in the UK and US generating international interest in the band.\u003c\/p\u003e\u003cp\u003eCritical acclaim has included the album being listed at number 126 on Rolling Stone’s 500 Greatest Albums of All Time, It is regarded as one of the top reggae albums of all time.\u003c\/p\u003e\u003cp\u003eIn 1971 after a solo tour Marley returned to Jamaica with Peter Tosh and Bunny Wailer to record Catch A Fire but the sessions were abandoned because of clashes with Johnny Nash and Danny Sims. The band did not have funds to return to Jamaica, nor could they earn money due to work-permit restrictions, The group’s London Road manager, Brent Clarke, recommended they get in contact with Chris Blackwell from Island Records, who had released licensed singles by The Wailers from Studio One in Great Britain. Blackwell gave the group an advance of £4000 to help them get home to Jamaica, and to complete the recording of their next album. In 1972 the album was recorded in Kingston, Jamaica at 3 different studios. As the story goes, in 1972 Marley flew back to London to play the tapes to Chris Blackwell. CBS and Sims, with whom the band were already contracted, took Blackwell and the Island Records label to court over the recording, Island won the case, Blackwell remixed the tracks at the Island Studios on Basing Street and included overdubs.\u003c\/p\u003e\u003cp\u003eApril 2023 saw the 50\u003csup\u003eth\u003c\/sup\u003e Anniversary of Catch A Fire, to mark this a limited edition 7” featuring 2 alternate versions of Stir It Up (vocal and instrumental) both feature on these releases. The 3LP\u0026#43;12” vinyl package will consist of the studio album, Live at The Paris Theatre London, previously only ever bootlegged, will get its first official release, the package also feature’s Alt, extended and instrumental Jamaican versions of album tracks Slave Driver, 400 Years No More Trouble and Stop That Train, finally on the 12” is 3 tracks from the Wailer’s performance at the Sundown Theatre in the village of Edmonton, North London, playing tracks Slave Driver, Stop That Train \u0026amp; Get Up Stand, Stand up, the reverse side has an etched image of Bob.\u003c\/p\u003e\u003cp\u003eThe LP \u0026amp; CD packages will feature books made up of classic images of Bob from his photo shoots with Adrian Boot, Arthur Gorson who shot images of Bob for 2 weeks in Jamaica, Dennis Morris, \u0026amp; Neville Garrick, many of these images have never been seen before, press clippings from the era and release of the album, Brand new notes have been written by renowned music journalist and author Chris Salewicz who was close friends with Bob spending a lot of time with him. The packages will use covers of both the Zippo lighter \u0026amp; Bob smoking on either side. The D2C offering will be a limited run pressed on coloured vinyl\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cu\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD1 - Studio Album\u003c\/strong\u003e\u003cbr \/\u003eConcrete Jungle\u003cbr \/\u003eSlave Driver\u003cbr \/\u003e400 Years\u003cbr \/\u003eStop That Train\u003cbr \/\u003eBaby We\u0026#039;ve Got A Date (Rock It Baby)\u003cbr \/\u003eStir It Up\u003cbr \/\u003eKinky Reggae\u003cbr \/\u003eNo More Trouble\u003cbr \/\u003eMidnight Ravers\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD2 - Paris Theatre London \/ 24th May 1973\u003c\/strong\u003e\u003cbr \/\u003eRastaman Chant\u003cbr \/\u003eSlave Driver\u003cbr \/\u003eStop That Train\u003cbr \/\u003eNo More Trouble\u003cbr \/\u003e400 Years\u003cbr \/\u003eMidnight Ravers\u003cbr \/\u003eStir it Up\u003cbr \/\u003eConcrete Jungle\u003cbr \/\u003eGet Up, Stand Up\u003cbr \/\u003eKinky Reggae\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD3 - Sessions \u0026#43; Edmonton Sundown May 1973\u003c\/strong\u003e\u003cbr \/\u003eSlave Driver (Jamaican Extended Version)\u003cbr \/\u003e400 Years (Jamaican Extended Version)\u003cbr \/\u003eHigh Tide Or Low Tide (Jamaican Alternate Version)\u003cbr \/\u003eStir It Up (Jamaican Alternate Version)\u003cbr \/\u003eNo More Trouble (Jamaican Extended Instrumental)\u003cbr \/\u003eStir It Up (Jamaican Extra Organ Version)\u003cbr \/\u003eNo More Trouble (Jamaican Extended Version)\u003cbr \/\u003eStop That Train (Working Mono Version)\u003cbr \/\u003eSlave Driver (The Sundown Theater in Edmonton, England. May, 1973)\u003cbr \/\u003eGet Up, Stand Up (The Sundown Theater in Edmonton, England. May, 1973)\u003cbr \/\u003eStop That Train (The Sundown Theater in Edmonton, England. May, 1973)\u003c\/p\u003e","brand":"Bob Marley \u0026 The Wailers","offers":[{"title":"OS","offer_id":40524562530339,"sku":"504722000","price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Bob-Marley-The-Wailers_Catch-A-Fire-50th-Anniversary_3-CD_s504722_o2102749_a400339_v10839830.135dc655_3873925c-4e81-4994-87bb-3d9ca32d86d2.png?v=1750787101"},{"product_id":"gentleman-diversity","title":"Diversity","description":"\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eLP1 \u003cbr \/\u003eSeite A\u003cbr \/\u003e1. The Reason\u003cbr \/\u003e2. In a Time Like Now\u003cbr \/\u003e3. Lonely Days\u003cbr \/\u003e4. Changes\u003cbr \/\u003e5. Regardless\u003cbr \/\u003e6. Nothin’ a Change\u003c\/p\u003e\u003cp\u003eSeite B\u003cbr \/\u003e1. 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Born in a rough section of Kingston, Jamaica, Smith grew up in a reggae culture immersed in the toasting style of I-Roy and U-Roy, the heavy dub innovations of Lee Perry and King Tubby, and the political attitude of Bob Marley. 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He has a lightness and agility of style that is wholly his own, and a hard directness that provides the perfect counterpoint to his almost playful approach to language”  – \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003eNME 1982\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSmith’s strongly-held beliefs, outspoken left-leaning politics, and Rastafarian sympathies, led to his tragic death in 1983. Smith was allegedly murdered by political opponents associated with the right-wing Jamaica Labour Party (JLP) after he had heckled the Jamaican Minister of Culture at a political rally in August, 1983.\u003c\/p\u003e\u003cp\u003eCircumstances around his death are shrouded in mystery. It is believed he was hit by stones thrown at him by his opponents, but the politically motivated murder of Michael Smith robbed reggae of one of its most eloquent voices of protest. 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