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The new recording follows on from his immensely successful DG debut, A Symphonic Celebration – Music from the Studio Ghibli films of Hayao Miyazaki, one of the best-selling classical albums worldwide in 2023. \u003c\/p\u003e\n\u003cp\u003eJoe Hisaishi in Vienna presents the world premiere recording of the composer’s Symphony No. 2, captured live at the Musikverein with the Wiener Symphoniker. After this elevating experience Hisaishi came back to record another world premiere in Vienna: his Viola Saga, featuring renowned soloist Antoine Tamestit. \u003c\/p\u003e\n\u003cp\u003eJoe Hisaishi is known across the globe for his film music, in particular his collaborations with Studio Ghibli creator and 2-time Oscar-winner Hayao Mayazaki on such movies as Spirited Away, Princess Mononoke and My Neighbor Totoro. 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The new recording follows on from his immensely successful DG debut, \u003cem\u003eA Symphonic Celebration – Music from the Studio Ghibli films of Hayao Miyazaki\u003c\/em\u003e, one of the best-selling classical albums worldwide in 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; font-variant-caps: normal; font-stretch: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; font-feature-settings: normal; font-optical-sizing: auto; font-variation-settings: normal; margin: 0cm 0cm 4.5pt 0cm;\"\u003e\u003cem\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eJoe Hisaishi in Vienna\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e presents the world premiere recording of the composer’s Symphony No. 2, captured live at the Musikverein with the Wiener Symphoniker. \u003c\/span\u003e\u003cspan style=\"color: black;\"\u003eAfter this elevating experience Hisaishi came back to record another world premiere in Vienna: his \u003cem\u003eViola Saga\u003c\/em\u003e, featuring renowned soloist Antoine Tamestit. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; font-variant-caps: normal; font-stretch: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; font-feature-settings: normal; font-optical-sizing: auto; font-variation-settings: normal; -webkit-text-stroke-width: 0px; -webkit-text-stroke-color: rgb(0, 0, 0); margin: 0cm 0cm 4.5pt 0cm;\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eJoe Hisaishi is known across the globe for his film music, in particular his collaborations with Studio Ghibli creator and 2-time Oscar-winner Hayao Mayazaki on such movies as \u003cem\u003eSpirited Away, Princess Mononoke\u003c\/em\u003e and \u003cem\u003eMy Neighbor Totoro\u003c\/em\u003e. \u003c\/span\u003e\u003cspan style=\"color: black;\"\u003eFor his DG debut album he created symphonic arrangements of music from several of these soundtracks, achieving global chart success and widespread critical acclaim. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; font-variant-caps: normal; font-stretch: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; font-feature-settings: normal; font-optical-sizing: auto; font-variation-settings: normal; margin: 0cm 0cm 4.5pt 0cm;\"\u003e\u003cspan style=\"color: black;\"\u003eOver the decades, however, Joe Hisaishi has also earned great respect for his work away from the film world, having built up a wide-ranging catalogue of contemporary classical works. \u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eMany of these are inspired by minimalism and the experimental compositions of friends and colleagues, as well as by the rich musical heritage of Japan and Western classical traditions. This second DG album, available on vinyl, CD and digital, therefore, focuses on Hisaishi the concert-hall composer – highlighting the originality and versatility of his musical craftsmanship – as well as on his long-honed skill and sensitivity as a conductor. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; font-variant-caps: normal; font-stretch: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; font-feature-settings: normal; font-optical-sizing: auto; font-variation-settings: normal; margin: 0cm 0cm 4.5pt 0cm;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP1\u003cbr \/\u003eSymphony No. 2 \u003cbr \/\u003eA. Movement 1 - What The World Is Now\u003cbr \/\u003e    Movement 2 - Variation 14\u003cbr \/\u003eB. 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[…] Her immense talent enabled her to fight for a place with courage and authority in what was then still a very male sphere,” writes the renowned Boulanger expert Alexandra Laederich from the Center international Nadia et Lili Boulanger, who also wrote the booklet text for the album. 13 contemporary musicians and artist duos have reworked Lili\u0026#039;s works, including Niklas Paschburg, Rodriguez Jr., Joplyn and Anja Schneider. The result is a state-of-the-art and multi-faceted album that is available as a CD and high-quality 180g. 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As can be heard her album, Yuja displays an effortless ease in switching between different eras and genres. Reviewing the recital Yuja had given in London with the same repertoire, Bachtrack noted that its “unpredictability added to [the] palpable excitement in a packed Royal Festival Hall”. Despite, or perhaps because of its eclecticism, this is unquestionably a programme with its own life, ebbing and flowing and creating a cohesive whole from its seemingly disparate musical elements. Seemingly disparate musical elements come together to form a coherent whole - with \u0026#34;Málaga\u0026#34; and \u0026#34;Lavapiés\u0026#34; by Albéniz, Scriabin\u0026#039;s Third Piano Sonata, the Jazz Preludes by Kapustin, Beethoven\u0026#039;s Piano Sonata No. 18 in E flat major and the Études No. 6 and No. 13 by Ligeti. 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Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01.    Superman March - From “Superman”     0:04:36\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e02.    Hedwig’s Theme - From “Harry Potter and the Philosopher’s Stone”     0:04:57\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e03.    Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets”     0:03:58\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e04.    Harry’s Wondrous World - From “Harry Potter and the Philosopher’s Stone”        0:04:55\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e05.    Theme - From \u0026#34;Schindler\u0026#039;s List\u0026#34;     0:04:07\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e06.    The Rebellion is Reborn - From “Star Wars: The Last Jedi”     0:04:11\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e07.    Princess Leia’s Theme - From “Star Wars: A New Hope”     0:05:13\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e08.    Throne Room \u0026amp; Finale - From “Star Wars: A New Hope”     0:07:59\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e09.    Yoda\u0026#039;s Theme - From “Star Wars: The Empire Strikes Back”     0:03:29\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e10.    Raiders March - From “Indiana Jones and the Raiders of the Lost Ark”     0:05:29\u003cbr \/\u003e                                                                                                \u003cbr \/\u003e11.    The Imperial March - From “Star Wars: The Empire Strikes Back”     0:03:10\u003c\/p\u003e","brand":"John Williams, Stéphane Denève, Saito Kinen Orchestra","offers":[{"title":"OS","offer_id":40561414733859,"sku":"507842000","price":38.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/John-Williams-Stephane-Deneve-Saito-Kinen-Orchestra_John-Williams-in-Tokyo_2LP-Exclusive-Gold-Coloured-Vinyl_s507842_o3693898_a440203_v11758188.aa676938.png?v=1744558906"},{"product_id":"john-williams-stephane-deneve-saito-kinen-orchestra-john-williams-in-tokyo-1","title":"John Williams in Tokyo","description":"\u003cp\u003e30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). 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Presto\u003c\/p\u003e\u003cp\u003e             17 Caprice No. 17 in E flat major. Sostenuto – Andante\u003c\/p\u003e\u003cp\u003e             18 Caprice No. 18 in C major. Corrente\u003c\/p\u003e\u003cp\u003e             19 Caprice No. 19 in E flat major. Lento – Allegro assai\u003c\/p\u003e\u003cp\u003e             20 Caprice No. 20 in D major. Allegretto\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eCD 2\u003c\/p\u003e\u003cp\u003e             1 Caprice No. 21 in A major. Amoroso\u003c\/p\u003e\u003cp\u003e             2 Caprice No. 22 in F major. Marcato\u003c\/p\u003e\u003cp\u003e             3 Caprice No. 23 in E flat major. Posato\u003c\/p\u003e\u003cp\u003e             4 Caprice No. 24 in A minor. Tema. 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The Icelandic pianist presents \u003cstrong\u003e\u003cem\u003eFrom\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eAfar\u003c\/strong\u003e\u003c\/em\u003e, a unique double album containing two recordings of the same repertoire, one played on a Steinway concert grand, the other on an upright piano. Available as a \u003cstrong\u003especial D2C double LP gatefold edition (180g crystal clear vinyl)\u003c\/strong\u003e, it includes a 4page insert featuring a fascinating extended essay by Ólafsson himself. Named after \u003cem\u003eAus der Ferne\u003c\/em\u003e by \u003cstrong\u003eGyörgy \u003c\/strong\u003e\u003cstrong\u003eKurtág\u003c\/strong\u003e, one of the pianist’s favourite composers, \u003cem\u003eFrom Afar \u003c\/em\u003ebegan to take shape not long after the two men first met, in September 2021. Unable to find the right words to thank Kurtág for an encounter that left him with “a feeling of lightness and joy”, Ólafsson instead found the right music. Describing the album as “a letter to a friend”, he has chosen a selection of the Hungarian composer’s original miniatures and transcriptions. Interspersed with these are Icelandic and Hungarian folksongs, and works by Schumann, Brahms and Thomas Adès, among others, many of which are rooted in the pianist’s musical past. The soundworlds conjured by the two instruments Ólafsson plays here are very different, but both are equally rich in colour and atmosphere. \u003cem\u003eFrom Afar \u003c\/em\u003ewill be released by \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e on 7 October 2022.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eLP 1\u003c\/u\u003e \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eGrand Piano\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 J.S. Bach: Christe, du Lamm Gottes, BWV 619 (Arr. G. Kurtág)\u003c\/p\u003e\n\u003cp\u003e02: Schumann: Study in Canonic Form, Op. 56 No. 1\u003c\/p\u003e\n\u003cp\u003e03: J.S. Bach: Adagio from Sonata for Solo Violin in C major (Arr. Víkingur Ólafsson)\u003c\/p\u003e\n\u003cp\u003e04: Kurtág: Harmonica (Hommage á Borsody László) (From Játékok \/ Book 3)\u003c\/p\u003e\n\u003cp\u003e05: Bartók: I. Rubato (Three Hungarian Folksongs from the Csìk)\u003c\/p\u003e\n\u003cp\u003e06: Bartók: II. L\u0026#039;istesso tempo (Three Hungarian Folksongs from the Csìk)\u003c\/p\u003e\n\u003cp\u003e07: Bartók: III. Poco vivo (Three Hungarian Folksongs from the Csìk)\u003c\/p\u003e\n\u003cp\u003e08: Brahms: Intermezzo Op. 116, No. 4\u003c\/p\u003e\n\u003cp\u003e09: Kurtág: A Voice in the Distance (From Játékok \/ Book 5)\u003c\/p\u003e\n\u003cp\u003e10: Birgisson: Where Life and Death May Dwell (Icelandic Folk Song)\u003c\/p\u003e\n\u003cp\u003e11: J.S.Bach: Trio Sonata No. 1, BWV 525: 1. Allegro moderato (Transcr. G. Kurtág)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01: Kaldalóns: Ave María (Arr. Víkingur Ólafsson)\u003c\/p\u003e\n\u003cp\u003e02: Kurtág: Little Chorale (From Játékok \/ Book 1)\u003c\/p\u003e\n\u003cp\u003e03: Mozart: Laudate Dominum (Arr. Víkingur Ólafsson)\u003c\/p\u003e\n\u003cp\u003e04: Kurtág: Sleepily (From Játékok \/ Book 1)\u003c\/p\u003e\n\u003cp\u003e05: Schumann: Träumerei Op. 15, No. 7\u003c\/p\u003e\n\u003cp\u003e06: Kurtág: Flowers We Are (From Játékok \/ Book 7)\u003c\/p\u003e\n\u003cp\u003e07: Adès: The Branch (Az Ág)\u003c\/p\u003e\n\u003cp\u003e08: Kurtág: Twittering (From Játékok \/ Book 1)\u003c\/p\u003e\n\u003cp\u003e09: Schumann: Vogel als Prophet Op. 82, No. 7\u003c\/p\u003e\n\u003cp\u003e10: Kurtág: Scraps of a Colinda Melody – Faintly Recollected (Hommage à Farkas Ferenc) (From Játékok \/ Book 3)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eLP 2\u003c\/u\u003e \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eUpright Piano\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 J.S. Bach: Christe, du Lamm Gottes, BWV 619 (Arr. G. Kurtág)\u003c\/p\u003e\n\u003cp\u003e02: Schumann: Study in Canonic form, Op. 56 No. 1\u003c\/p\u003e\n\u003cp\u003e03: J.S. Bach: Adagio from Sonata for Solo Violin in C Major (Arr. Víkingur Ólafsson)\u003c\/p\u003e\n\u003cp\u003e04: Kurtág: Harmonica (Hommage á Borsody László) (From Játékok \/ Book 3)\u003c\/p\u003e\n\u003cp\u003e05: Bartók: I. Rubato (Three Hungarian Folksongs from the Csìk)\u003c\/p\u003e\n\u003cp\u003e06: Bartók: II. L\u0026#039;istesso tempo (Three Hungarian Folksongs from the Csìk)\u003c\/p\u003e\n\u003cp\u003e07: Bartók: III. Poco vivo (Three Hungarian Folksongs from th\u003c\/p\u003e\n\u003cp\u003e08: Brahms: Intermezzo Op. 116, No. 4\u003c\/p\u003e\n\u003cp\u003e09: Kurtág: A Voice in the Distance (From Játékok \/ Book 5)\u003c\/p\u003e\n\u003cp\u003e10: Birgisson: Where Life and Death May Dwell (Icelandic Folk Song)\u003c\/p\u003e\n\u003cp\u003e11: J.S.Bach: Trio Sonata No. 1, BWV 525: 1. Allegro moderato (Transcr. G. Kurtág)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01: Kaldalóns: Ave María (Arr. Víkingur Ólafsson)\u003c\/p\u003e\n\u003cp\u003e02: Kurtág: Little Chorale (From Játékok \/ Book 1)\u003c\/p\u003e\n\u003cp\u003e03: Mozart: Laudate Dominum (Arr. 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The accompanying booklet includes an engrossing and in depth essay in which the pianist discusses the work and its history. He also reflects on the performance decisions he had to make in the studio when it came to creating a definitive version of a work he’d dreamt of recording for 25 years. “At least to me, the Goldberg Variations’ genius lies not in the general, but the specific,” says Ólafsson. “As each variation unfolds, one must be wholly gripped by its individual drama and affect, drawn into its own marvellous little microcosm and filled with the joy of discovering it.” The album comes out on Deutsche Grammophon on 6 October 2023.\u003c\/p\u003e\n\u003cp\u003eTracklist - J.S. Bach: Goldberg Variations, BWV 988:\u003c\/p\u003e\n\u003cp\u003e01. 1. Aria\u003cbr \/\u003e02. Variatio 1 a 1 Clav. \u003cbr \/\u003e03. Variatio 2 a 1 Clav. \u003cbr \/\u003e04. Variatio 3 Canone all\u0026#039;Unisono a 1 Clav. \u003cbr \/\u003e05. Variatio 4 a 1 Clav. \u003cbr \/\u003e06. Variatio 5 a 1 ô vero 2 Clav.\u003cbr \/\u003e07. Variatio 6 Canone alla Seconda a 1 Clav. \u003cbr \/\u003e08. Variatio 7 a 1 ô vero 2 Clav. Al tempo di Giga\u003cbr \/\u003e09. Variatio 8 a 2 Clav. \u003cbr \/\u003e10. Variatio 9 Canone alla Terza. A 1 Clav. \u003cbr \/\u003e11. Variatio 10 Fughetta. A 1 Clav. \u003cbr \/\u003e12. Variatio 11 a 2 Clav. \u003cbr \/\u003e13. Variatio 12 Canone alla Quarta. (a 1 Clav.) \u003cbr \/\u003e14. Variatio 13 a 2 Clav. \u003cbr \/\u003e15. Variatio 14 a 2 Clav. \u003cbr \/\u003e16. Variatio 15 Canone alla Quinta. A 1 Clav. Andante\u003cbr \/\u003e17. Variatio 16 Ouverture. a 1 Clav. \u003cbr \/\u003e18. Variatio 17 a 2 Clav. \u003cbr \/\u003e19. Variatio 18 Canone alla Sesta. A 1 Clav. \u003cbr \/\u003e20. Variatio 19 a 1 Clav. \u003cbr \/\u003e21. Variatio 20 a 2 Clav. \u003cbr \/\u003e22. Variatio 21 Canone alla Settima (a 1 Clav.)\u003cbr \/\u003e23. Variatio 22 a 1 Cla. Alla breve\u003cbr \/\u003e24. 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