{"title":"Release Radar","description":"","products":[{"product_id":"the-damned-damned-damned-damned-110663","title":"Damned Damned Damned ","description":"\u003cp class=\"MsoNormal\"\u003eThe Damned schrieben Geschichte, als sie am 22. Oktober 1976 als erste britische Punkband ihre Single „New Rose“ veröffentlichten. Kurz darauf folgte das allererste britische Punkalbum, ihr legendäres Debütalbum „Damned Damned Damned“, das am 18. Februar 1977 von Stiff Records herausgebracht wurde. Das Album erreichte bei seiner Veröffentlichung Platz 36 der britischen Charts und hat sich in den 45 Jahren seit seinem Erscheinen zu einer Legende entwickelt. Mit nur einer halben Stunde Spielzeit ist „Damned Damned Damned“ ein absoluter Klassiker des Rock ’n’ Roll. Zusammen mit der kompromisslosen Ästhetik der Band überließen The Damned Rhetorik den Theoretikern und politisches Gehabe The Clash. Die vier Musiker wollten einfach nur rocken. Die Originalbesetzung mit Dave Vanian, Captain Sensible, Brian James und Rat Scabies hat sich letztes Jahr wiedervereint und wird das Album im kommenden November auf einer einmaligen Tournee komplett live spielen.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003ctable class=\"MsoTableGrid\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd width=\"301\"\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eA:\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNeat Neat Neat              \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFan Club             \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eI Fall                    \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBorn to Kill        \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStab Yor Back \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFeel the Pain\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eB: \u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNew Rose \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFish \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSee Her Tonite \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e1 of the 2 \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSo Messed Up \u003c\/span\u003e\u003c\/li\u003e\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eI Feel Alright\u003c\/span\u003e\u003c\/li\u003e\u003c\/ol\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e","brand":"The Damned","offers":[{"title":"OS","offer_id":57178898596227,"sku":"520076000","price":25.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/The-Damned_Damned-Damned-Damned_LP_s520076_o7892454_a609666_v13758619.ecce853d.jpg?v=1768408943"},{"product_id":"stephen-hough-stephen-houghs-piano-postcards-111039","title":"Stephen Hough's Piano Postcards","description":"\u003cp\u003eOn his new solo piano album, Stephen Hough\u0026#039;s Piano Postcards, Sir Stephen Hough explores the world from the perspective of a traveling pianist sending musical messages home. 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Written with João Augusto, the brilliant \u0026#34;Roda\u0026#34; stands out for its rhythmic inventiveness and critical lyrics. A celebration of northeastern resistance, \u0026#34;Viramundo\u0026#34; is a collaboration with Capinan, as is the nostalgic \u0026#34;Água dos Meninos.\u0026#34; The simple \u0026#34;Maria (Me Perdoa, Maria)\u0026#34; is the album\u0026#039;s romantic moment. Sertanejo faith and its social contours are the theme of \u0026#34;Procissão,\u0026#34; one of Gilberto Gil\u0026#039;s most beautiful and important songs, which closes the album. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Louvação\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA2. Beira-Mar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA3. Lunik 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4. 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Von der Schinkenstraße bis in euer Wohnzimmer: Dieses Album ist die geballte Ladung Büffel-Power auf einer Scheibe.\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\n\u003cp\u003eProduktdetails:\u003cbr \/\u003eAlbum: Lorenz Büffel – „Hier kommt der Büffelmann“ (1CD Jewelcase)\u003cbr \/\u003eSpecial: Handsigniert von Lorenz Büffel persönlich\u003cbr \/\u003eStatus: Exklusiv und streng limitiert!\u003cbr \/\u003eHol dir das Original für deine Sammlung. 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An album determined to get fans to leave their worries behind for the duration of the carefully curated 12-track project, the ethos of the album is rooted in its escapist nature. Fun is prioritized over overthinking, multiple takes and layers of production as the duo allows instincts and intentionality to take centre stage. 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The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York\u0026#039;s hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson\u0026#039;s full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer. They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson\u0026#039;s orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. 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Produced by Creed Taylor and arranged and conducted by Gary McFarland, the album places Getz\u0026#039;s tenor saxophone within orchestrated settings that combine brass and woodwind writing with the rhythmic qualities of samba and bossa nova. Recorded in August 1962 at Columbia\u0026#039;s 30th Street Studio in New York, the session featured studio musicians including guitarist Jim Hall, trumpeter Doc Severinsen, bassist Tommy Williams, and drummer Johnny Rae.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe repertoire draws on Brazilian compositions, like Luiz Bonfá\u0026#039;s \u0026#34;Manhã de Carnaval\u0026#34; (\u0026#34;Morning of the Carnival\u0026#34;) and Antônio Carlos Jobim and Vinícius de Moraes\u0026#039; \u0026#34;Chega de Saudade\u0026#34; (\u0026#34;No More Blues\u0026#34;) alongside material by McFarland (\u0026#34;Balanço no Samba,\u0026#34; or \u0026#34;Street Dance\u0026#34;), and more.\u003c\/p\u003e\n\u003cp\u003eIssued in the period following \u0026#34;Jazz Samba\u0026#34; (1962) and preceding \u0026#34;Jazz Samba Encore!\u0026#34; (1963) and \u0026#34;Getz\/Gilberto\u0026#34; (1964), the album forms part of Getz\u0026#039;s landmark sequence of Verve releases which played a key role in introducing North American audiences to boss nova.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. 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Produced by Norman Granz, the date brings together Roy Eldridge and Harry \u0026#34;Sweets\u0026#34; Edison on trumpet, whose contrasting styles—fiery drive and relaxed, bluesy restraint—create a compelling musical contrast. Backed by Hank Jones (piano), Herb Ellis (guitar), George Duvivier (bass), and Mickey Sheen (drums), the session blends small-group swing with a polished studio feel. Highlights include \u0026#34;They Can’t Take That Away from Me\u0026#34; and \u0026#34;Salute to Benny\u0026#34;—a tribute to Benny Goodman, who gave Young his first clarinet—with both tracks featuring rare late-career clarinet solos by Young. The album documents one of Young\u0026#039;s final studio sessions, a closing chapter for \u0026#34;The Pres.\u0026#34;\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eLaughin\u0026#039; To Keep From Cryin\u0026#039; (\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN;\"\u003e1958)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Salute To Benny\u003c\/p\u003e\n\u003cp\u003eA2. They Can\u0026#039;t Take That Away From Me\u003c\/p\u003e\n\u003cp\u003eB1. Romping\u003c\/p\u003e\n\u003cp\u003eB2. Gypsy In My Soul\u003c\/p\u003e\n\u003cp\u003eB3. 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Es avancierte zu einem der stärksten US-Alben der Band und gilt bis heute als eines der prägendsten Alben ihrer späten 70er-Jahre.\u003c\/p\u003e\n\u003cp\u003eDiese Edition von 2026 wurde von den Originalquellen neu gemastert und bietet verbesserte Klarheit, Ausgewogenheit und Dynamik, ohne den Charakter des Originalmixes zu beeinträchtigen. Titel wie „(Wish I Could Fly Like) Superman“, „Catch Me Now I’m Falling“ und der Titelsong profitieren von einer detaillierteren und fokussierteren Wiedergabe.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eAttitude (2026 Remaster) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eCatch me Now I’m Falling (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003ePressure (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNational Health (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e(Wish I Could Fly Like) Superman (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLow Budget (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eIn a Space (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLittle Bit of Emotion (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eA Gallon of Gas (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMisery (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMoving Pictures (2026 Remaster)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Kinks","offers":[{"title":"OS","offer_id":57914103267715,"sku":"522075000","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/The-Kinks_Low-Budget-2026-Remaster-LP-EcoRecord_LP_s522075_o8068105_a631645_v13869518.5eb0ea82.png?v=1777471990"},{"product_id":"zubin-mehta-zubin-mehta-the-philharmonic-edition-vienna-israel-london-new-york-115318","title":"Zubin Mehta: The Philharmonic Edition - Vienna, Israel, London, New York","description":"\u003cp\u003e\u003cspan\u003eMaestro Zubin Mehta celebrates his 90th birthday on 29 April 2026. As a long-standing exclusive artist with Decca, he created an extraordinary musical legacy in the 1960s and 1970s that combines European tradition with American dynamism. His interpretations blend depth with electrifying energy and continue to captivate listeners today with their sonic brilliance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis comprehensive box set brings together recordings for Decca and Deutsche Grammophon spanning almost five decades (1965–2013), from Mozart to Mahler. Arranged alphabetically and accompanied by thematic programmes, it reflects Mehta’s main centres of activity in Israel and Vienna, as well as significant collaborations in Berlin, London, Florence and New York. It opens with Bruckner’s Ninth in Vienna in 1965 – a milestone to this day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncluded are, among other things, symphony cycles by Schubert and Schumann, as well as Beethoven’s piano concertos with Ashkenazy and Lupu. Featuring Pavarotti, Perlman and Lang Lang, live recordings and opera recordings, the edition brings together key stages of his career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith original covers, rare photos and texts by David Patmore, James Jolly and Cyrus Meher-Homji, it is a fitting tribute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBARTÓK Concerto for Orchestra · Hungarian Sketches IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 2–4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBEETHOVEN Piano Concertos 1–5 Vladimir Ashkenazy, WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 5–8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBEETHOVEN Piano Concertos 1–5 · 2 Rondos Op.51 · Piano Sonatas 19 \u0026amp; 20 Radu Lupu, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003eBEETHOVEN Die Geschöpfe des Prometheus Ballet music IPO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003eBERLIOZ Symphonie fantastique NYP\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 11\u003c\/p\u003e\n\u003cp\u003eBERLIOZ Harold en Italie Daniel Benyamini, IPO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBLOCH Voice in the Wilderness · Schelomo János Starker, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBRAHMS Symphony No.1 · Tragic Overture WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBRAHMS Piano Concerto No.1 Arthur Rubinstein, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBRAHMS Piano Concerto No.2 Vladimir Ashkenazy, LSO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBRAHMS Violin Concerto · BRUCH Violin Concerto No.1 David Garrett, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCDs 17–18\u003c\/p\u003e\n\u003cp\u003eBRUCKNER Symphony No.9 · Te Deum · Mass No.2 Wiener Staatsopernchor, WP\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCHOPIN Piano Concertos 1 \u0026amp; 2 Lang Lang, WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDVOŘÁK Symphony No.7 IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDVOŘÁK Cello Concerto · R. STRAUSS Don Quixote Mischa Maisky, Tabea Zimmermann, BP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLALO Symphonie espagnole · VIEUXTEMPS Violin Concerto No.5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSAINT-SAËNS Introduction and Rondo capriccioso (1988) Shlomo Mintz, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCD 23\u003c\/p\u003e\n\u003cp\u003eLISZT Les Préludes\u003c\/p\u003e\n\u003cp\u003eWAGNER Preludes Lohengrin Acts I \u0026amp; III · Parsifal · Die Meistersinger von Nürnberg WP\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAHLER Symphony No.1 IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAHLER Symphony No.2 WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAHLER Symphony No.4 Barbara Hendricks, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCD 27\u003c\/p\u003e\n\u003cp\u003eMENDELSSOHN Octet (orchestral version) IPO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCDs 28–29\u003c\/p\u003e\n\u003cp\u003eMOZART Symphonies 34, 39 \u0026amp; 40 · Eine kleine Nachtmusik IPO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePAGANINI Violin Concerto No.1 Boris Belkin, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePAGANINI Violin Concerto No.1 · CHAUSSON Poème\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWAXMAN Carmen Fantasie · MILSTEIN Paganiniana Sayaka Shoji, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 32–33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePUCCINI La fanciulla del West Carol Neblett, Plácido Domingo, Sherrill Milnes, ROH\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 34–35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePUCCINI Turandot Joan Sutherland, Montserrat Caballé, Luciano Pavarotti, LPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSARASATE Carmen Fantasy · CHAUSSON Poème (1986)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSAINT-SAËNS Havanaise · Introduction and Rondo capriccioso (1986)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAVEL Tzigane Itzhak Perlman, NYP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSCHMIDT Symphony No.4 · EINEM Symphony No.1 “Philadelphia” WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 38–42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSCHUBERT Symphonies 1–6, 8, 9 · Rosamunde (excerpts) IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 43–45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSCHUMANN Symphonies 1–4 · Overtures Genoveva · Manfred WP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 46–47\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTCHAIKOVSKY Symphony No.5 · Swan Lake Suite · The Nutcracker Suite IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 48–51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVERDI Il trovatore Antonella Banaudi, Shirley Verrett, Leo Nucci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVERDI La traviata Kiri Te Kanawa, Alfredo Kraus, Dmitri Hvorostovsky, MMF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVERDI Arias from Aida · Un ballo in maschera · Otello · Ernani Leontyne Price, IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMASSENET Manon Ah! dispar, vision Luciano Pavarotti, NYP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eROSSINI La scala di seta Overture · VERDI La traviata Preludes I \u0026amp; III · I vespri siciliani Overture\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWEBER Oberon Overture · MENDELSSOHN A Midsummer Night’s Dream Nocturne \u0026amp; Scherzo IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD 54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eROSSINI Guillaume Tell Overture · BEETHOVEN Leonore Overture No.3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTCHAIKOVSKY Capriccio italien · RIMSKY-KORSAKOV Capriccio espagnol IPO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCDs 55–56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHUBERMAN FESTIVAL, 1982 – VIVALDI Four Seasons · Concerto in B minor RV 580 (Op.3\/10)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJ.S. 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