{"title":"Verve Vault Series","description":"","products":[{"product_id":"dizzy-gillespie-sonny-side-up-104392","title":"Sonny Side Up ","description":"\u003cp\u003eA classic of dynamic, swinging small ensemble jazz! This 1957 session is considered one of Dizzy\u0026#039;s best meetings with jazz titans Sonny Stitt and Sonny Rollins. Rumor has it that trumpeter Gillespie had the two saxophonists play against each other before the session, which raised the bar and led to the creation of a now legendary album. Ray Bryant (piano), Tommy Bryant (bass), and Charlie Persip (drums) accompany Gillespie, Stitt, and Rollins on this masterpiece.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSonny Side Up (1959)\u003c\/p\u003e\u003cp\u003eA1. On the Sunny Side of the Street – 5:41\u003cbr \/\u003eA2. The Eternal Triangle – 14:10\u003cbr \/\u003eB1. After Hours – 12:19\u003cbr \/\u003eB2. I Know That You Know – 5:27\u003c\/p\u003e\u003cp\u003eDizzy Gillespie – trumpet, vocal (track 1) \/ Sonny Stitt – tenor saxophone \/ Sonny Rollins – tenor saxophone \/ Ray Bryant – piano \/ Tommy Bryant – double bass \/ Charlie Persip – drums\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Dizzy Gillespie","offers":[{"title":"OS","offer_id":56224518209923,"sku":"517585000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Dizzy-Gillespie_Sonny-Side-Up_Verve-Vault-Vinyl_s517585_o7498229_a582078_v13515555.a5f8033d.jpg?v=1755078808"},{"product_id":"antonio-carlos-jobim-the-composer-of-desafinado-plays-104402","title":"The Composer Of Desafinado, Plays ","description":"\u003cp\u003e\u0026#34;The Composer of Desafinado, Plays,\u0026#34; recorded in 1963, is not only a timeless, iconic masterpiece of bossa nova, but also an evergreen of this overwhelmingly beautiful, melancholic music. Antonio Carlos Jobim, one of the founders of bossa nova, recorded his then-young classics \u0026#34;Corcovado,\u0026#34; \u0026#34;The Girl from Ipanema,\u0026#34; \u0026#34;Agua de Beber,\u0026#34; and others for his Verve debut. He can be heard on guitar and piano, while arranger Claus Ogerman adds subtle orchestral nuances.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eA1. The Girl from Ipanema — 2:42\u003cbr \/\u003eA2. Amor em Paz — 3:36\u003cbr \/\u003eA3. Agua de Beber — 2:50\u003cbr \/\u003eA4. Vivo Sonhando — 2:35\u003cbr \/\u003eA5. O Morro Não Tem Vez — 3:20\u003cbr \/\u003eA6. Insensatez — 2:53\u003cbr \/\u003eB1. Corcovado — 2:25\u003cbr \/\u003eB2. One Note Samba — 2:14\u003cbr \/\u003eB3. Meditation — 3:15\u003cbr \/\u003eB4 Só Danço Samba — 2:21\u003cbr \/\u003eB5. Chega de Saudade — 4:19\u003cbr \/\u003eB6. Desafinado — 2:44\u003c\/p\u003e\u003cp\u003eAntônio Carlos Jobim - piano, guitar \/ George Duvivier - double bass \/ Edison Machado - drums \/ Leo Wright - flute \/ Jimmy Cleveland - trombone \/ Claus Ogerman - string arrangements, conducting\u003c\/p\u003e","brand":"Antônio Carlos Jobim","offers":[{"title":"OS","offer_id":56224664289667,"sku":"517587000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Antonio-Carlos-Jobim_The-Composer-Of-Desafinado-Plays_Verve-Vault-Vinyl_s517587_o7498375_a582099_v13515668.e14f1f9a.jpg?v=1755082477"},{"product_id":"stan-getz-focus-106019","title":"Focus","description":"\u003cp\u003e\u0026#34;Focus,\u0026#34; released in 1961 on Verve Records, stands as a singular entry in saxophonist Stan Getz\u0026#039;s discography — a chamber jazz suite composed and arranged by Eddie Sauter, with Getz as its sole improviser. Recorded in July 1961 at Webster Hall in New York City, Focus pairs Getz\u0026#039; expressive tenor saxophone with a string orchestra conducted by Hershy Kay. Sauter\u0026#039;s seven-movement suite — originally envisioned for violinist Jascha Heifetz — unfolds in layered harmonic landscapes and orchestral textures. Getz\u0026#039; parts were entirely improvised, captured live in single takes without written music, as he navigated pre-composed frameworks with melodic invention and emotional clarity. \u003c\/p\u003e\u003cp\u003eThe album represents a true collaboration between Sauter and Getz, and a radical departure from the conventions of jazz \u0026#34;with strings\u0026#34; albums of the time. Sauter\u0026#039;s charts emphasize contrapuntal writing, rhythmic complexity, and harmonic ambiguity, while Getz — unedited and unrehearsed in the traditional sense — weaves a lyrical, instinctive line throughout. The result remains one of the most original and artistically daring projects in Getz’s recorded legacy; the artist’s favourite of all the records he made.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. I\u0026#039;m Late, I\u0026#039;m Late\u003cbr \/\u003eA2. Her\u003cbr \/\u003eA3. Pan\u003cbr \/\u003eB1. I Remember When\u003cbr \/\u003eB2. Night Rider\u003cbr \/\u003eB3. Once Upon A Time\u003cbr \/\u003eB4. A Summer Afternoon\u003c\/p\u003e","brand":"Stan Getz","offers":[{"title":"OS","offer_id":56452242768259,"sku":"518304000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Stan-Getz_Focus_Verve-Vault-Vinyl_s518304_o7655335_a588731_v13602597.5735452f.png?v=1758110398"},{"product_id":"jimmy-smith-jimmy-wes-the-dynamic-duo-106022","title":"Jimmy \u0026 Wes: The Dynamic Duo","description":"\u003cp\u003eReleased in 1966 on Verve Records, \u0026#34;Jimmy \u0026amp; Wes: The Dynamic Duo,\u0026#34; captures the only full-length studio collaboration between Hammond B3 organist Jimmy Smith and guitarist Wes Montgomery. Produced by Creed Taylor and arranged by Oliver Nelson, Jimmy \u0026amp; Wes brought together two of jazz\u0026#039;s most distinctive voices in an expansive big band setting. Recorded over three days in September 1966 at Rudy Van Gelder\u0026#039;s Englewood Cliffs studio, the sessions featured a brass-and reed-heavy ensemble and a top-tier rhythm section with drummer Grady Tate and bassist Richard Davis. \u003cbr \/\u003eMontgomery\u0026#039;s melodic guitar lines and Smith\u0026#039;s fiery organ grooves find a vibrant setting in Nelson\u0026#039;s tight, punchy arrangements — rich in harmonic color and rhythmic drive. The program blends originals and standards, including Smith’s bluesy \u0026#34;James and Wes\u0026#34; and a reimagined \u0026#34;Baby, It\u0026#039;s Cold Outside\u0026#34; transformed into a simmering, minor-key vamp. Nelson\u0026#039;s orchestrations give the album cinematic sweep without sacrificing the interplay between its stars. The result is a rare meeting of two jazz giants, captured during a period of broad popular success, with the added presence of one of the era’s most accomplished arrangers.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Down By The Riverside\u003cbr \/\u003eA2. Night Train\u003cbr \/\u003eB1. James \u0026amp; Wes\u003cbr \/\u003eB2. 13 (Death March)\u003cbr \/\u003eB3. Baby, It\u0026#039;s Cold Outside\u003c\/p\u003e","brand":"Jimmy Smith \u0026 Wes Montgomery","offers":[{"title":"OS","offer_id":56452279370115,"sku":"518305000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Jimmy-Smith_Jimmy-Wes-The-Dynamic-Duo_Verve-Vault-Vinyl_s518305_o7655385_a588743_v13602636.a962376e.png?v=1758110933"},{"product_id":"max-roach-percussion-bitter-sweet-107457","title":"Percussion Bitter Sweet","description":"\u003cp\u003e\u0026#34;Percussion Bitter Sweet,\u0026#34; released in 1961 on Impulse! Records, is one of preeminent jazz drummer Max Roach\u0026#039;s most politically charged and musically expansive recordings. The record reflects Roach\u0026#039;s deepening engagement with themes of social justice and Pan-African identity. The inclusion of vocalist Abbey Lincoln — Roach\u0026#039;s artistic and political partner at the time — adds urgency and emotional power to the project\u0026#039;s most pointed statements.\u003c\/p\u003e\u003cp\u003eWhile not formally structured as a suite, the album\u0026#039;s six tracks move fluidly between spiritual lament, militant swing, and improvisational abstraction. The opening piece, \u0026#34;Garvey’s Ghost,\u0026#34; sets the tone with Afro-Caribbean rhythmic undercurrents, while \u0026#34;Mendacity\u0026#34; takes aim at hypocrisy with biting horn lines and Lincoln\u0026#039;s dramatic delivery. Elsewhere, \u0026#34;Mama\u0026#34; and \u0026#34;Praise for a Martyr\u0026#34; explore personal and collective grief through dynamic interplay and modal intensity. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Garvey\u0026#039;s Ghost\u003cbr \/\u003eA2. Mama\u003cbr \/\u003eA3. Tender Warriors\u003cbr \/\u003eB1. Praise For A Martyr\u003cbr \/\u003eB2. Mendacity\u003cbr \/\u003eB3. Man From South Africa\u003c\/p\u003e\u003cp\u003eMax Roach (drums, percussion), Booker Little (trumpet), Julian Priester (trombone), Eric Dolphy (alto saxophone, flute, bass clarinet), Mal Waldron (piano), Art Davis (double bass), Clifford Jordan (tenor saxophone), Carlos \u0026#34;Patato\u0026#34; Valeler (congas), Abbey Lincoln (vocals A1 \u0026#43; B2)\u003c\/p\u003e","brand":"Max Roach","offers":[{"title":"OS","offer_id":56688299999619,"sku":"518947000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Max-Roach_Percussion-Bitter-Sweet_Verve-Vault-Vinyl_s518947_o7761875_a595197_v13672097.c3910025.png?v=1761128439"},{"product_id":"archie-shepp-four-for-trane-107462","title":"Four for Trane","description":"\u003cp\u003e\u0026#34;Four for Trane,\u0026#34; released in 1964 on Impulse! Records, was saxophonist Archie Shepp’s first major studio statement and remains one of his most influential albums. Co-produced by John Coltrane and recorded at Rudy Van Gelder\u0026#039;s Englewood Cliffs studio, the set presents Shepp performing four Coltrane compositions — \u0026#34;Naima,\u0026#34; \u0026#34;Mr. Syms,\u0026#34; \u0026#34;Syeeda\u0026#039;s Song Flute,\u0026#34; and \u0026#34;Cousin Mary\u0026#34; — alongside Shepp\u0026#039;s own \u0026#34;Rufus.\u0026#34; Rather than offering faithful renditions, Shepp and arranger Roswell Rudd reimagine Coltrane\u0026#039;s material with bold ensemble voicings, fluctuating time signatures, and unfettered improvisation. The result is an album that honours Coltrane\u0026#039;s vision while reframing it through the lens of the emerging avant-garde. \u003c\/p\u003e\u003cp\u003eThe quintet — Shepp on tenor saxophone, Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums — bridges the intensity of free jazz with the formal rigor of post-bop. Released at a pivotal moment in Shepp\u0026#039;s artistic development, \u0026#34;Four for Trane\u0026#34; signalled his arrival as a vital and progressive voice within the new wave of 1960s jazz. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Syeeda\u0026#039;s Dong Flute\u003cbr \/\u003eA2. Mr. Syms\u003cbr \/\u003eB1. Cousin Mary\u003cbr \/\u003eB2. Naima\u003cbr \/\u003eB3. Rufus (Swung, His Face At Last To The Wind, Then His Neck Snapped)\u003c\/p\u003e\u003cp\u003eArchie Shepp (tenor saxophone), Alan Shorter (flugelhorn), John Tchicai (alto saxophone), Roswell Rudd (trombone, arranger), Reggie Workman (double bass), Charles Moffett (drums)\u003c\/p\u003e","brand":"Archie Shepp","offers":[{"title":"OS","offer_id":56688322675075,"sku":"518948000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Archie-Shepp_Four-for-Trane_Verve-Vault-Vinyl_s518948_o7761913_a595207_v13672119.36db6222.png?v=1761129124"},{"product_id":"dinah-washington-what-a-diffrence-a-day-makes-verve-vault-108322","title":"What A Diff'rence A Day Makes!","description":"\u003cp\u003e\u0026#34;What A Diff\u0026#039;rence A Day Makes!\u0026#34;, released in 1959 on Mercury Records, marked a turning point in the career of vocalist Dinah Washington — earning her a GRAMMY Award and bringing her rich, blues-informed style into the world of lush orchestral pop. Produced by Clyde Otis and arranged by Belford Hendricks, the album represents Washington’s successful crossover from jazz and R\u0026amp;B into the mainstream pop market. The title track, originally written in Spanish in the 1930s and popularized in English by other vocalists, became Washington\u0026#039;s signature song after her version climbed the Billboard charts and won the 1960 GRAMMY for Best Rhythm \u0026amp; Blues Performance — the first year the award was presented. The album balances Washington\u0026#039;s commanding vocal presence with sophisticated arrangements that blend strings, rhythm section, and light brass. Tracks like \u0026#34;Cry Me a River,\u0026#34; \u0026#34;Manhattan,\u0026#34; and \u0026#34;Time After Time\u0026#34; showcase her ability to deliver emotional nuance and rhythmic phrasing with precision and ease. The result is a seamless fusion of jazz tradition and contemporary production, establishing Washington as one of the most versatile and expressive vocalists of her era. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eWhat A Diff\u0026#039;rence A Day Makes! (1959) \u003c\/p\u003e\u003cp\u003eA1. I Remember You\u003cbr \/\u003eA2. I Thought About you\u003cbr \/\u003eA3. That\u0026#039;s All There Is To That\u003cbr \/\u003eA4. I Won\u0026#039;t Cry Anymore\u003cbr \/\u003eA5. I\u0026#039;m Thru With Love\u003cbr \/\u003eB1. Cry Me A River\u003cbr \/\u003eB2. What A Diff\u0026#039;rence A Day Makes\u003cbr \/\u003eB3. Nothing In The World (Could Make Me Love More Than I Do)\u003cbr \/\u003eB4. Manhattan\u003cbr \/\u003eB5. Time After Time\u003cbr \/\u003eB6. It\u0026#039;s Magic\u003cbr \/\u003eB7. A Sunday Kind Of Love\u003c\/p\u003e","brand":"Dinah Washington","offers":[{"title":"OS","offer_id":56802490515843,"sku":"519250000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Dinah-Washington_What-A-Diff-rence-A-Day-Makes-Verve-Vault_Konfiguration-1LP-Black-180g-Gatefold-Sleeve-Optimal_s519250_o7798730_a599770_v13698435.cc0d95f3.png?v=1762530048"},{"product_id":"blossom-dearie-give-him-the-ooh-la-la-verve-vault-108323","title":"Give Him The Ooh-La La","description":"\u003cp\u003e\u0026#34;Give Him The Ooh-La La\u0026#34;, released in 1958 on Verve Records, captures pianist and vocalist Blossom Dearie\u0026#039;s signature blend of cool understatement, crisp diction, and harmonic finesse. Produced by Norman Granz, the session features Dearie on piano and vocals, leading a quartet with guitarist Herb Ellis, bassist Ray Brown, and drummer Jo Jones. The program includes songs by Cole Porter, Rodgers \u0026amp; Hart, and Noël Coward, along with two Dearie co-writes — \u0026#34;Try Your Wings\u0026#34; and \u0026#34;Bang Goes the Drum (And You’re in Love)\u0026#34; — which showcase her wit and compositional touch. From the sly charm of the title track to the graceful melancholy of \u0026#34;Plus je t’embrasse,\u0026#34; Dearie\u0026#039;s performances balance elegance with rhythmic ease. The intimate arrangements leave space for subtle interplay between her voice and piano, supported by a rhythm section steeped in the language of swing and bop. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eGive Him The Ooh-La La (1958)\u003c\/p\u003e\u003cp\u003eA1. Just One Of Those Things\u003cbr \/\u003eA2. Like Someone In Love\u003cbr \/\u003eA3. Between The Devil And The Deep Blue Sea\u003cbr \/\u003eA4. They Say It\u0026#039;s Spring\u003cbr \/\u003eA5. Try Your Wings\u003cbr \/\u003eA6. Bang Goes The Drum (And You\u0026#039;re In Love)\u003cbr \/\u003eB1.The Riviera\u003cbr \/\u003eB2. The Middle Of Love\u003cbr \/\u003eB3. Plus Je T\u0026#039;Embrasse\u003cbr \/\u003eB4. Give Him The Ooh-La-La\u003cbr \/\u003eB5. Let Me Love You\u003cbr \/\u003eB6. I Walk A Little Faster\u003c\/p\u003e","brand":"Blossom Dearie","offers":[{"title":"OS","offer_id":56802513715587,"sku":"519251000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Blossom-Dearie_Give-Him-The-Ooh-La-La-Verve-Vault_1LP-Black-180g-Gatefold-Sleeve-Optimal_s519251_o7798768_a599779_v13698454.b4bbcfdc.png?v=1762530454"},{"product_id":"sonny-rollins-brass-trio-110129","title":"Brass\/Trio","description":"\u003cp\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e\u0026#34;Brass\/Trio,\u0026#34; \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ereleased\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in 1958 on Verve Records, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eis\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e an \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eunusual\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etwo-sided\u003c\/span\u003e \u003cspan class=\"cf0\"\u003estatement\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esaxophonist\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Sonny Rollins \u003c\/span\u003e\u003cspan class=\"cf1\"\u003e— \u003c\/span\u003e\u003cspan class=\"cf1\"\u003epairing\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efull\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e brass \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eensemble\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esession\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e on \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eone\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eside\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ewith\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf1\"\u003estripped\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e-down \u003c\/span\u003e\u003cspan class=\"cf1\"\u003esaxophone\u003c\/span\u003e \u003cspan class=\"cf1\"\u003etrio\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e on \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eother\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e. The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efirst\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e half \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efeatures\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Rollins \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ewith\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a brass \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eensemble\u003c\/span\u003e \u003cspan class=\"cf1\"\u003earranged\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003econducted\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Ernie Wilkins, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003erecorded\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e in New York in \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eJuly\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e 1958. The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003elineup\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eincludes\u003c\/span\u003e \u003cspan class=\"cf1\"\u003etrumpeter\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Harry \u0026#34;Sweets\u0026#34; Edison, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etrombonists\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e J.J. Johnson and Jimmy Cleveland, and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etuba\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eplayer\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Don Butterfield, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003esupported\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf1\"\u003erhythm\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esection\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf1\"\u003epianist\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Dick Katz, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eguitarist\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Rene Thomas, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ebassist\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Henry Grimes, and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edrummer\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Roy Haynes. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eTogether\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ethey\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eprovide\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eswinging\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eharmonically\u003c\/span\u003e \u003cspan class=\"cf1\"\u003erich\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ebackdrop\u003c\/span\u003e \u003cspan class=\"cf1\"\u003efor\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Rollins on \u003c\/span\u003e\u003cspan class=\"cf1\"\u003estandards\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e like \u0026#34;Who \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eCares\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e?\u0026#34; and \u0026#34;Love \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eIs\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e A Simple Thing.\u0026#34; The \u003c\/span\u003e\u003cspan class=\"cf1\"\u003esecond\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e half was \u003c\/span\u003e\u003cspan class=\"cf1\"\u003erecorded\u003c\/span\u003e \u003cspan class=\"cf1\"\u003edays\u003c\/span\u003e \u003cspan class=\"cf1\"\u003elater\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e in Los Angeles \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ebassist\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Henry Grimes and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003edrummer\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eSpecs\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Wright — a \u003c\/span\u003e\u003cspan class=\"cf1\"\u003epared\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e-down \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etrio\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esetting\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ethat\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eemphasizes\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Rollins’ \u003c\/span\u003e\u003cspan class=\"cf1\"\u003erhythmic\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ecommand\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003emelodic\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eelasticity\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e. Tracks like \u0026#34;Raincheck,\u0026#34; \u0026#34;\u003c\/span\u003e\u003cspan class=\"cf1\"\u003eMy\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eOne\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eOnly\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Love,\u0026#34; and \u0026#34;Just in Time\u0026#34; \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eshowcase\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eability\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf1\"\u003emove\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eeffortlessly\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ebetween\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eballad\u003c\/span\u003e \u003cspan class=\"cf1\"\u003einterpretation\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efleet\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eimprovisation\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e \u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf1\"\u003eVerve \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eVault\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Series: Cut and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003emastered\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Ryan K. Smith at Sterling Sound \u003c\/span\u003e\u003cspan class=\"cf1\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e original analog \u003c\/span\u003e\u003cspan class=\"cf1\"\u003etapes\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf1\"\u003epressed\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e on 180-gram \u003c\/span\u003e\u003cspan class=\"cf1\"\u003evinyl\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Optimal. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eGatefold\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esleeve\u003c\/span\u003e \u003cspan class=\"cf1\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eiconic\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e original \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eartwork\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e \u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTracklisting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e:\u003cbr \/\u003eA1. Who \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eCares\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e?\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA2. Love \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eIs\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e A Simple Thing\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA3. Grand Street\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA4. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eFar\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Out East\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB1. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eWhat’s\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eMy\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Name?\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB2. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eIf\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eYou\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eWere\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e The \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eOnly\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Girl In The World\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB3. Manhattan\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB4. Body \u0026amp; Soul\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sonny Rollins","offers":[{"title":"OS","offer_id":57030421184899,"sku":"519804000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Sonny-Rollins_Brass-Trio_Verve-Vault-Vinyl_s519804_o7871111_a606812_v13746503.b6dbeb20.png?v=1765553327"},{"product_id":"stan-getz-the-oscar-peterson-trio-stan-getz-the-oscar-peterson-trio-110131","title":"Stan Getz \u0026 The Oscar Peterson Trio","description":"\u003cp\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e\u0026#34;Stan Getz and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Oscar Peterson Trio,\u0026#34; \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ereleased\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in 1958 on Verve Records, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003edocuments\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a rare \u003c\/span\u003e\u003cspan class=\"cf0\"\u003emeeting\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ebetween\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etwo\u003c\/span\u003e \u003cspan class=\"cf0\"\u003econtrasting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e but \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ecomplementary\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e jazz \u003c\/span\u003e\u003cspan class=\"cf0\"\u003egreats\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e: \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e cool-\u003c\/span\u003e\u003cspan class=\"cf0\"\u003etoned\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etenor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esaxophonist\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Stan Getz and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ehard-driving\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Oscar Peterson Trio. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eProduced\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Norman Granz and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003erecorded\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in Hollywood in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eOctober\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e 1957, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esession\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efinds\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Getz \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ejoining\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eveteran\u003c\/span\u003e \u003cspan class=\"cf0\"\u003erhythm\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esection\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ealready\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eregarded\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eas\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eone\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emost\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecohesive\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in jazz: Peterson on piano, Herb Ellis on \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eguitar\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, and Ray Brown on bass. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eWith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eno\u003c\/span\u003e \u003cspan class=\"cf0\"\u003edrummer\u003c\/span\u003e \u003cspan class=\"cf0\"\u003epresent\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003egroup\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emaintains\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ebuoyant\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, propulsive swing, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003egiving\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Getz \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e \u003cspan class=\"cf0\"\u003espace\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e stretch out \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eacross\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eprogram\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003estandards\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eoriginals\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eincluding\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e \u0026#34;I Want \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Be Happy,\u0026#34; \u0026#34;\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTour’s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e End,\u0026#34; and \u0026#34;Bronx Blues.\u0026#34; \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eWhile\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Getz was \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eoften\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eheard\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e in \u003c\/span\u003e\u003cspan class=\"cf0\"\u003emore\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esubdued\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eorchestrated\u003c\/span\u003e \u003cspan class=\"cf0\"\u003econtexts\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eduring\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eperiod\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ethis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esession\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ehighlights\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ehis\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ecommand\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eof\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ebebop\u003c\/span\u003e \u003cspan class=\"cf0\"\u003elanguage\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esmall-group\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e swing. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePeterson\u0026#039;s\u003c\/span\u003e \u003cspan class=\"cf0\"\u003etrio\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eknown\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efor\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eits\u003c\/span\u003e \u003cspan class=\"cf0\"\u003edrive\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eresponsiveness\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eadapts\u003c\/span\u003e \u003cspan class=\"cf0\"\u003efluidly\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eto\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eGetz\u0026#039;s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e tone and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ephrasing\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eyielding\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a \u003c\/span\u003e\u003cspan class=\"cf0\"\u003esession\u003c\/span\u003e \u003cspan class=\"cf0\"\u003emarked\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e relaxed \u003c\/span\u003e\u003cspan class=\"cf0\"\u003einterplay\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, \u003c\/span\u003e\u003cspan class=\"cf0\"\u003erhythmic\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eclarity\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e, and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eunderstated\u003c\/span\u003e \u003cspan class=\"cf0\"\u003evirtuosity\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e \u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eVerve \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eVault\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Series: Cut and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003emastered\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Ryan K. Smith at Sterling Sound \u003c\/span\u003e\u003cspan class=\"cf0\"\u003efrom\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ethe\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e original analog \u003c\/span\u003e\u003cspan class=\"cf0\"\u003etapes\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e and \u003c\/span\u003e\u003cspan class=\"cf0\"\u003epressed\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e on 180-gram \u003c\/span\u003e\u003cspan class=\"cf0\"\u003evinyl\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eby\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Optimal. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eGatefold\u003c\/span\u003e \u003cspan class=\"cf0\"\u003esleeve\u003c\/span\u003e \u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eiconic\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e original \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eartwork\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e \u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eTracklisting\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e:\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA1. I Want \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTo\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Be Happy\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA2. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ePennies\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eFrom\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Heaven\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eA3. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eBallad\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Medley\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB1. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eI’m\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eGlad\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eThere’s\u003c\/span\u003e \u003cspan class=\"cf0\"\u003eYou\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB2. \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eTour’s\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e End\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB3. I was \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eDoing\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e All Right\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eB4. Bronx Blues\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Stan Getz \u0026 The Oscar Peterson Trio","offers":[{"title":"OS","offer_id":57030488818051,"sku":"519805000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Stan-Getz_Stan-Getz-The-Oscar-Peterson-Trio_Verve-Vault-Vinyl_s519805_o7871151_a606822_v13746522.12d9e9c8.png?v=1765553793"},{"product_id":"gabor-szabo-spellbinder-verve-vault-110786","title":"Spellbinder","description":"\u003cp\u003e\u0026#34;Spellbinder,\u0026#34; released in 1966 on Impulse! Records, introduced Hungarian guitarist Gábor Szabó to a wider American audience with a set that blends modal jazz, Eastern European folk influences, and 1960s pop textures. Recorded in May 1966 at Rudy Van Gelder\u0026#039;s Englewood Cliffs studio and produced by Bob Thiele, \u0026#34;Spellbinder\u0026#34; features Szabó in a quintet setting with bassist Ron Carter, drummer Chico Hamilton, and percussionists Willie Bobo and Victor Pantoja. The group\u0026#039;s hypnotic blend of grooves and drones helped establish Szabó\u0026#039;s signature approach: vamp-based forms, sitar-like guitar articulation, and modal lines shaped by his Eastern European heritage. \u003c\/p\u003e\u003cp\u003eThe title track, a slow-building vamp, showcases Szabó\u0026#039;s minimalist phrasing and rhythmic sensitivity. The record\u0026#039;s standout moment is a reimagining of Sonny Bono\u0026#039;s \u0026#34;Bang Bang (My Baby Shot Me Down),\u0026#34; which Szabó transforms into a darkly lyrical modal meditation. Elsewhere, the group blurs the lines between jazz improvisation and global rhythms, bridging bop vocabulary with the expanding musical frontiers of the mid-1960s.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Spellbinder\u003cbr \/\u003eA2. Witchcraft\u003cbr \/\u003eA3. It Was A Very Good Year\u003cbr \/\u003eA4. Gypsy Queen\u003cbr \/\u003eB1. Bang Bang (My Baby Shot Me Down)\u003cbr \/\u003eB2. Cheetah \u003cbr \/\u003eB3. My Foolish Heart\u003cbr \/\u003eB4. Yearning\u003cbr \/\u003eB5. Autumn Leaves\/Speak To Me Of Love\u003cbr \/\u003e a. Autumn Leaves\u003cbr \/\u003e b. Speak To Me Of Love\u003c\/p\u003e","brand":"Gabor Szabo","offers":[{"title":"OS","offer_id":57198361051523,"sku":"520139000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Gabor-Szabo_Spellbinder-Verve-Vault_Vinyl_s520139_o7898739_a610157_v13762395.37c59159.png?v=1768834493"},{"product_id":"pharoah-sanders-elevation-verve-vault-110789","title":"Elevation","description":"\u003cp\u003e\u0026#34;Elevation,\u0026#34; released in 1974 on Impulse! Records, finds saxophonist Pharoah Sanders expanding his spiritual jazz vision on an album that balances ecstatic expression with focused ensemble interplay. Produced by Ed Michel and recorded in 1973 across two live performances and a studio session, \u0026#34;Elevation\u0026#34; features a dynamic ensemble including Joe Bonner on piano, Calvin Hill on bass, and Michael Carvin on drums. \u003c\/p\u003e\u003cp\u003eThe album\u0026#039;s open forms, modal grooves, and spiritual themes underscore Sanders’s ongoing search for transcendence and cultural affirmation through sound. With chant-like melodies, circular motifs, and immersive rhythmic textures, pieces like \u0026#34;The Gathering\u0026#34; and the title track reflect a more meditative and exploratory side of Sanders\u0026#039;s aesthetic. \u0026#34;Elevation\u0026#34; comes towards the end of Sanders\u0026#039; tenure on Impulse!— a cohesive and spiritually resonant statement that bridges the raw fire of earlier albums with a deeper, more spacious sound.\u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Elevation\u003cbr \/\u003eA2. Greeting To Saud (Brother McCoy Tyner)\u003cbr \/\u003eB1. Ore-Se-Rere (Nigerian Juju HiLife)\u003cbr \/\u003eB2. The Gathering\u003cbr \/\u003eB3. Spiritual Blessing\u003c\/p\u003e","brand":"Pharoah Sanders","offers":[{"title":"OS","offer_id":57198374060419,"sku":"520140000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Pharoah-Sanders_Elevation-Verve-Vault_Vinyl_s520140_o7898796_a610167_v13762416.210ec11c.png?v=1768834831"},{"product_id":"cannonball-adderley-cannonballs-sharpshooters-111899","title":"Cannonball's Sharpshooters","description":"\u003cp\u003e\u003cspan\u003e\u0026#34;Cannonball’s Sharpshooters,\u0026#34; originally released in 1958, documents alto saxophonist Julian \u0026#34;Cannonball\u0026#34; Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley\u0026#039;s recording session for \u0026#34;Somethin\u0026#039; Else\u0026#34; with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe ensemble presents a compact hard-bop program reflecting Adderley\u0026#039;s blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron’s \u0026#34;Our Delight\u0026#34; and Thelonious Monk\u0026#039;s \u0026#34;Straight, No Chaser.\u0026#34; Adderley\u0026#039;s trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA1. Our Delight\u003cbr \/\u003eA2. What\u0026#039;s New?\u003cbr \/\u003eA3. Fuller Bop Man\u003cbr \/\u003eA4. Jubilation\u003cbr \/\u003eB1. Stay On It\u003cbr \/\u003eB2. If I Love Again\u003cbr \/\u003eB3. Straight No Chaser\u003c\/span\u003e\u003c\/p\u003e","brand":"Cannonball Adderley","offers":[{"title":"OS","offer_id":57392276472195,"sku":"520584000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Cannonball-Adderley_Cannonball-s-Sharpshooters_Verve-Vault-Vinyl_s520584_o7945192_a615243_v13791032.c1d21b3f.png?v=1771260022"},{"product_id":"art-blakey-the-jazz-messengers-s-make-it-111902","title":"'S Make It","description":"\u003cp\u003e\u003cspan\u003e\u0026#34;\u0026#039;S Make It,\u0026#34; recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band\u0026#039;s long history.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe sextet featured Lee Morgan on trumpet, Curtis Fuller on trombone, John Gilmore on tenor saxophone, John Hicks on piano, and Victor Sproles on bass. Together, they delivered a hard-driving program that reflects both Blakey\u0026#039;s established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey\u0026#039;s drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA1. Faith\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA2. \u0026#039;S Make It\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA3. Waltz For Ruth\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA4. One For Gamal\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eB1. Little Hughie\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eB2. Olympia\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eB3. Lament For Stacy\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Blakey \u0026 The Jazz Messengers","offers":[{"title":"OS","offer_id":57392340697475,"sku":"520585000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Art-Blakey-The-Jazz-Messengers_S-Make-It_Verve-Vault-Vinyl_s520585_o7945243_a615252_v13791121.7ee46f36.png?v=1771260631"},{"product_id":"art-farmer-listen-to-art-farmer-and-the-orchestra-113158","title":"Listen To Art Farmer And The Orchestra ","description":"\u003cp\u003e\u003cspan\u003e\u0026#34;Listen to Art Farmer and the Orchestra,\u0026#34; recorded in 1962 and released the following year on Mercury, stands as one of trumpeter\/flugelhornist Art Farmer\u0026#039;s most ambitious statements as a leader. The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York\u0026#039;s hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson\u0026#039;s full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer. They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson\u0026#039;s orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. This program draws on beloved standards — including \u0026#34;Street of Dreams,\u0026#34; and \u0026#34;Naima\u0026#34; — and the orchestral setting underscores why Farmer was regarded as one of the era’s most elegant and expressive horn players.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Street Of Dreams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA2. Rain Check\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA3. Rue Prevail\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4. The Sweetest Sounds (From \u0026#34;No Strings\u0026#34;)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB1. My Romance (From \u0026#34;Jumbo\u0026#34;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB2. Fly Me To The Moon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eB3. Naima\u003c\/p\u003e\n\u003cp\u003eB4. Ruby\u003c\/p\u003e","brand":"Art Farmer","offers":[{"title":"OS","offer_id":57583074836867,"sku":"521138000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Art-Farmer_Listen-To-Art-Farmer-And-The-Orchestra_Verve-Vault-Vinyl_s521138_o7984617_a620709_v13815371.bb627dd6.png?v=1773411304"},{"product_id":"marcos-valle-samba-68-113166","title":"Samba '68","description":"\u003cp\u003e\u003cspan\u003e\u0026#34;Samba \u0026#039;68,\u0026#34; released on Verve in 1968, introduced Brazilian singer, songwriter, and multi-instrumentalist Marcos Valle to a wider international audience. Already established in Brazil through songs such as \u0026#34;Samba de Verão\u0026#34; (\u0026#34;Summer Samba\u0026#34;), Valle worked here with producer Creed Taylor on a recording that pairs Brazilian rhythmic forms with contemporary American studio orchestration. The sessions include vocals by Anamaria Valle and arrangements by Eumir Deodato, whose writing places Valle\u0026#039;s guitar and voice within settings for strings, brass, and rhythm section typical of Verve\u0026#039;s late-1960s productions. The repertoire features English-language versions of compositions co-written by Valle — including \u0026#34;So Nice (Summer Samba),\u0026#34; \u0026#34;Chup Chup, I Got Away,\u0026#34; and \u0026#34;Safely In Your Arms\u0026#34; alongside additional material that reflects his economical writing and feather-light rhythmic approach. The album documents a meeting point between Brazilian popular music and international pop-jazz studio practice at the end of the 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. The Answer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA2. Crickets Sing For Anamaria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA3. So Nice (Summer Samba)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA4. Chup Chup, I Got Away\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA5. If You Went Away\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA6. Pepino Beach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB1. She Told Me, She Told Me\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB2. It\u0026#039;s Time To Sing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB3. Batucada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB4. The Face I Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB5. Safely In Your Arms\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marcos Valle","offers":[{"title":"OS","offer_id":57583098757507,"sku":"521139000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Marcos-Valle_Samba-68_Verve-Vault-Vinyl_s521139_o7984693_a620721_v13815424.6bc02e80.png?v=1773411897"},{"product_id":"cal-tjader-the-prophet-114465","title":"The Prophet","description":"\u003cp\u003e\u003cspan\u003eCal Tjader\u0026#039;s \u0026#34;The Prophet,\u0026#34; recorded in 1968 in New York and Los Angeles and released the same year on Verve, captures the vibraphonist at a moment of artistic expansion, blending his signature Latin jazz foundation with a more orchestrated, textural approach. Arranged and conducted by Don Sebesky and produced by Esmond Edwards, the album features a refined ensemble including João Donato on organ, Red Mitchell on bass, Ed Thigpen on drums, and Hubert Laws on flute, whose contributions help shape its polished, atmospheric sound. Drawing on a broad palette of jazz, Latin, and blues influences, \u0026#34;The Prophet\u0026#34; reflects Tjader\u0026#039;s growing interest in composition and arrangement, balancing melodic elegance with rhythmic sophistication. Several of the album\u0026#039;s compositions were written by Brazilian pianist João Donato, including \u0026#34;Warm Song,\u0026#34; \u0026#34;Aquarius,\u0026#34; and \u0026#34;Tema Teimoso,\u0026#34; adding a distinctive harmonic warmth and subtle bossa nova influence to the overall character. From the breezy bossa nova feel of \u0026#34;Tema Teimoso\u0026#34; to the introspective tone of \u0026#34;The Loner\u0026#34; and the blues-inflected close of \u0026#34;Cal\u0026#039;s Bluedoo,\u0026#34; the album presents a cohesive, forward-looking statement that highlights Tjader\u0026#039;s \u003c\/span\u003e\u003cspan\u003eversatility while maintaining the warmth and accessibility that defined his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"xxmsonormal\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eThe Prophet (1968)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eA1 Souled Out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eA2 Warm Song\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eA3 The Prophet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eA4 Aquarius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eB1 Cal\u0026#039;s Bluedo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eB2 A Time For Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eB3 Tema Teimoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eB4 The Loner\u003c\/span\u003e\u003c\/p\u003e","brand":"Cal Tjader","offers":[{"title":"OS","offer_id":57780956332419,"sku":"521734000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Cal-Tjader_The-Prophet_Verve-Vault-Vinyl_s521734_o8027904_a626714_v13842056.5190e36e.png?v=1776069405"},{"product_id":"john-coltrane-ascension-i-ii-114467","title":"Ascension I \u0026 II ","description":"\u003cp\u003e\u003cspan\u003e\u0026#34;Ascension,\u0026#34; released in 1966 on Impulse! Records, stands as one of John Coltrane\u0026#039;s most radical and influential works. Subtitled \u0026#34;Edition I \u0026amp; II\u0026#34; to reflect the two complete takes recorded at the session—and presented together on LP for the first time—the piece is a nearly 40-minute large-ensemble performance marking Coltrane\u0026#039;s decisive embrace of the avant-garde. Recorded on June 28, 1965, at Rudy Van Gelder\u0026#039;s Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of eleven musicians. Alongside Coltrane\u0026#039;s tenor saxophone are trumpeters Freddie Hubbard and Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, and Archie Shepp; pianist McCoy Tyner; bassists Art Davis and Jimmy Garrison; and drummer Elvin Jones. The music alternates between densely textured collective improvisation and extended solo statements, conjuring a hurricane of violent, searching sound. Initially controversial for its intensity and freedom, Ascension has since come to be recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presenting both takes together highlights the organic, ever-changing character of the performance and affirms its enduring place in Coltrane\u0026#039;s artistic legacy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-ansi-language: EN-US;\"\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN;\"\u003eSummer Samba \u0026#039;68 (1968)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eEdition I\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide A Ascension (Part 1)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide B Ascension (Part 2)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eEdition II\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide C Ascension (Part 1)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eSide D Ascension (Part 2)\u003c\/span\u003e\u003c\/p\u003e","brand":"John Coltrane","offers":[{"title":"OS","offer_id":57780990837123,"sku":"521735000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/John-Coltrane_Ascension-I-II_Verve-Vault-Vinyl_s521735_o8027950_a626723_v13842083.175140a9.png?v=1776069968"},{"product_id":"roy-ayers-ubiquity-hes-coming-116537","title":"He's Coming ","description":"\u003cp\u003e\u003cspan\u003eReleased on Polydor in 1972, \u0026#34;He\u0026#039;s Coming\u0026#34; captures vibraphonist Roy Ayers at a creative apex, as Ubiquity\u0026#039;s sound settled into the blend of jazz improvisation, funk rhythm, soul harmony, and spiritual import that would define his work throughout the decade. Emerging at the start of the 1970s, the album reflects Ayers\u0026#039;s deepening move toward a groove-centered musical language rooted in soul-jazz and early jazz-funk. The vibraphonist, keyboardist, composer, and bandleader is supported by a core ensemble that includes Harry Whitaker on electric piano, organ, and vocals; John Williams on bass, with Ron Carter featured on \u0026#34;We Live in Brooklyn, Baby\u0026#34;; David Lee Jr. and Billy Cobham on drums and percussion; guitarists Sam Brown and Bob Fusco; saxophonist Sonny Fortune; and percussionist Juma Santos. Tracks like \u0026#34;He\u0026#039;s a Superstar,\u0026#34; \u0026#34;Sweet Butterfly of Love,\u0026#34; and \u0026#34;Fire Weaver\u0026#34; embody the record\u0026#039;s mix of urban narrative, spiritual reflection, and deep rhythmic momentum—qualities that would later make Ayers\u0026#039;s catalog a source of inspiration for soul, funk, hip-hop, and neo-soul artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe\u0026#039;s Coming (1972)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. He\u0026#039;s A Superstar\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eA2. He Ain\u0026#039;t Heavy He\u0026#039;s My Brother\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eA3. Ain\u0026#039;t Got Time\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eA4. I Don\u0026#039;t Know How To Love Him\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eB1. He\u0026#039;s Coming\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eB2. We Live In Brooklyn Baby\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eB3. Sweet Butterfly Of Love\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eB4. Sweet Tears\u003cbr \/\u003e\u003c\/span\u003e\u003cspan\u003eB5. Fire Weaver\u003c\/span\u003e\u003c\/p\u003e","brand":"Roy Ayers Ubiquity","offers":[{"title":"OS","offer_id":58003724861827,"sku":"522905000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Roy-Ayers-Ubiquity_He-s-Coming_Verve-Vault-Vinyl_s522905_o8107800_a638054_v13885766.76aefb76.png?v=1778232654"},{"product_id":"gil-evans-the-individualism-of-gil-evans-116544","title":"The Individualism of Gil Evans ","description":"\u003cp\u003eReleased in 1964 on Verve, \u0026#34;The Individualism of Gil Evans\u0026#34; stands as one of arranger-composer Gil Evans\u0026#039; most compelling and richly detailed works, showcasing some of the finest music of his career. The album blends Evans\u0026#039; originals—including \u0026#34;Las Vegas Tango\u0026#34; and \u0026#34;El Toreador,\u0026#34; as well as the Miles Davis collaborations \u0026#34;Time of the Barracudas\u0026#34; and \u0026#34;Flute Song\/Hotel Me\u0026#34;— with inspired interpretations such as Kurt Weill\u0026#039;s \u0026#34;The Barbara Song,\u0026#34; all rendered through his distinctive big band lens. A core group of musicians, including Johnny Coles, Steve Lacy, Jimmy Cleveland, Tony Studd, Bill Barber, Elvin Jones, and Paul Chambers, appears across sessions, lending a remarkable consistency of texture, mood, and overall sound. Additional standout contributors—among them Eric Dolphy, Wayne Shorter, Phil Woods, and Kenny Burrell—bring fresh color to select tracks. Evans himself plays piano throughout, his touch especially poignant on \u0026#34;The Barbara Song,\u0026#34; where a sense of deep pathos is underscored by Shorter\u0026#039;s expressive tenor. From the brooding atmosphere of \u0026#34;Time of the Barracudas\u0026#34; to the one-chord intensity of \u0026#34;El Toreador,\u0026#34; the album highlights Evans\u0026#039; mastery of tone, space, and orchestral nuance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Single sleeve with iconic original artwork.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003eThe Individualism of Gil Evans (1964)\u003cbr \/\u003eA1. The Barbara Song\u003cbr \/\u003eA2. Las Vegas Tango\u003c\/p\u003e\n\u003cp\u003eB1a. The Flute Song\u003cbr \/\u003eB1b. Hotel Me\u003cbr \/\u003eB2. El Toreador\u003c\/p\u003e","brand":"Gil Evans","offers":[{"title":"OS","offer_id":58003812123011,"sku":"522906000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0701\/2417\/5395\/files\/Gil-Evans_The-Individualism-of-Gil-Evans_Verve-Vault-Vinyl_s522906_o8107853_a638070_v13885813.4b86b42b.png?v=1778233109"}],"url":"https:\/\/thecircle.de\/en\/collections\/verve-vault-series.oembed","provider":"The Circle","version":"1.0","type":"link"}